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Dr. Hubbard then began to prod manically at the parlor spinet piano, as though he were not quite alone.

(Plot reveal – SPOILERS: I have long been a Minotaur.)

P.S. Cos I've been asked a lot already – Charlie Parker was recording when the reigning format was still the 78 rpm single, so his music is a little hard to track down "album"-wise. 

The small-group stuff is the most important, and that can largely be found in two places, The Complete Savoy and Dial Masters or Yardbird Suite: The Ultimate Charlie Parker, which overlap a lot.

Then you gotta hear Bird stretching without the 3-minute time constraint of a single, and for that, I recommend Jazz at Massey Hall, which is credited to "The Quintet" and doesn't mention Bird because it violated one of his many record deals.

And, finally, both the albums called Charlie Parker with Strings, which a lot of beboppers back then abhorred as easy-listening music but which, in retrospect, give us some small glimpse of where Bird would've gone if he'd lived long enough to study, as planned, with Igor Stravinsky and Edgard Varèse.

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Comments

Jaime Christley

*speaks extemporaneously for a solid hour with diction that’s better than almost everyone you know* Sorry about how I sound on this one guys

Aro

Can't wait for a Ghost Stories crossover ep. My two favorite podcasts at this point.

.

Ghosts stories and death/corner are spiritual siblings. Two best podcasts out there. Hope y’all can do some work together at some point.

Jaime Christley

Re Kenneth Anger, you qualify his citation with "early" and I don't know where you draw the line for "not early"- I can see someone going all-in on FIREWORKS thru, idk, KUSTOM KAR KOMMANDOS and then maybe pushing back from the dinner table when reaching the "Mr. Crowley phase", when he does a Mick Jagger collab, etc. Personally I love his whole corpus (with the qualifier that there's a ton of middle/late stuff that, if I'm not mistaken, is next to impossible to find). Almost 20 years ago I went to see him present MOUSE HEAVEN and ANGER SEES RED in NYC; SEES RED is alright, it's kind of a half-assed FIREWORKS reprise where he's crushing on a big ginger hunk. But it was MOUSE HEAVEN I fell in love with - ostensibly it's a short, peppy video tour of someone's large collection of Disney/Mickey Mouse stuff; I think they call it "Disneyana". But, in typical Anger fashion, without puncturing that surface, he turns it into a jaunty, jingle-jangle film about death, obscenity, kitsch, pop culture nostalgia*, and ... butts. * I KNOW I KNOW Because a lot of the way you talk about Charlie Parker reminds me of his essays and posts**, I kind of want to recommend the writings on film by Fred Camper. He's this nigh-insufferable Chicago curmudgeon who used to do film capsules for the Reader but made his bones as, easily, the most conspicuous Brakhage exponent under the sun - like James Quandt for Bresson, Ray Carney for Cassavetes, Robin Wood for Howard Hawks. Most of the material in the liner notes for Criterion's two Brakhage sets was contributed by Camper. To give you an idea of where this guy's head is at, here's a list of his roughly 100 favorite filmmakers; lots of strange bedfellows but, to me, by dint of his passion and unique perspectives (and his hardheadedness) his idea of a film director canon carries much the same force as Andrew Sarris's. Oh and as an added bonus he pushed me to get into Johnnie To, so, personal misgivings aside (long story), I'll forever be grateful for that: https://fredcamper.com/Film/Filmmakers.html (Thanks to this shitty website, that link may be active only on the mobile app. But trust me, it's a powerful list, and many of his omissions are extremely interesting and provocative.) ** Post-script if you read or have read Camper's writing and, for whatever reason, find him to be a disappointment, please excuse the comparison. What I'm thinking of is the section of your talking about Charlie Parker where you (paraphrasing) talk of an artist like him using conventional forms as merely a jumping-off point, a framework of rules to be broken, a grain of sand to be used to make a pearl, etc. There's a lot more to say here but I thought I should leave that disclaimer here. It's weird: I don't really look up to Camper as a writer (or a human) but he's got a gift for persuasion that transcends what are otherwise liabilities.

Louie Van Patten

I've been subbed to you for 3yrs and Ghost Stories for 2yrs. Y'all are the best.

NYCM&AHole

This was a great ep. Also, every time you talk about jazz, my dumb shredder brain does the musician equivalent of terminator 2’s “I know why you cry, but it’s something I can never do”. Also that PRS amp you mentioned on Twitter sounds cool. 6 preamp tubes would be great to djent on.

Philip Wailes

As a jazz musician somewhat soured on the entire scene due to its shallow and social media obsessive nature (in my city at least) it’s been really refreshing hearing you speak about Bird, Wayne Shorter and Coltrane the past few weeks/months, it’s been very refreshing and has actually got me re-fascinated with the qualities of it that led me to it in the first place. Really, really loved this episode. I’m going to be using a lot of the alchemical index/logic of metaphor stuff to discuss Coltrane’s music in the future, I feel a lot is said there that I couldn’t exactly put my finger on before when discussing his genius specifically. And I need to listen to more Bird, I’ve studied him and learned his music but I don’t think I’ve ever really immersed myself in him despite his direct responsibility for everything else I love. Great stuff.

David Hartery

Does anyone know if there's a way to buy/download the end song? It relaxes me in a doomy way

Danielle

So what is the line you'd draw between Charlie Parker and David Lynch?

Ryan Delaney

what are the odds of Joyce coming up again in this series? I feel like the voices and fixations in Finnegans Wake ricochet between Oswald and Hubbard

Escheloned Confusions

I didn't know who Bird was, but I've listened to a few songs with Charlie Parker. I definitely need to listen to more of his work!

Brendan Garcia

Windsplitter sounds exactly like something from Final Fantasy 7.

Night Zoo

The fact that Brakhage was Trey Parker & Matt Stone’s film professor, and appears in their first film (Cannibal the Musical) is pretty nuts. Also, that Lloyd Kaufman is a huge Brakhage fan and released that film just so he could say Brakhage was in a Troma film. I’m much more a Brakhage fan than Troma or Parker/Stone, but that’s a pretty wild piece of trivia

Escheloned Confusions

I'm currently watching the current season of The Vow, which is a documentary about the NXIVM cult, and thinking about how the new religions are often just multi-level marketing companies, or self-help companies.

Heath Iverson

Thanks so much for brining attention to brakhage. The idea he pursues in metaphors of vision—a pre-linguistic poetics conceived as an “adventure of perception” is so rich and important. It also helps me find a way into what you’re doing with the prose in your novels. I’ll keep hoping that one day you might devote a whole show to brakhage. Thanks MJ!

diane bluegreen

it seems like elon musk is doing the 'momentum thing'...is that like work fast and break things?...in the way he 'runs' twitter. make it up as you go along. i think this is why i didn't end up liking the tv show 'lost'...there was no framework or plan...could that be called substance?...behind it. i like things that are well-crafted. paradoxically i also like it when people break the rules artisticly. i think that works in the arts,but it's a crazy way to run a government,as you mentioned things like cryptocurrency and hedge funds and how it seems everyone is just 'winging it' because they can get away with it.

Maciek

I’m going to have to relisten to the Christman episode because the way you describe your slurred speech is not at all what I remember from that episode. It was fantastic from my memory and I think you may just be being a little hard on yourself. Good to hear you’re doing better though. And thanks for this awesome episode. Really describes the current tech shithead mindset of break stuff fast and ask for forgiveness (if at all) after.

Shiv

a pod rec from you, my dude?? you know i’m gonna like and subscribe

kallampero

Re: The Minotaur Upon moving to Knoxville, Tennessee a year and a half ago (not recommended), I was perplexed and annoyed by the fact that one or more songbirds started dawn-chorusing at around 10pm, and didn't stop until sunrise. It had the effect of giving the listener the impression that they had stayed up partying all night, with the wretched morning approaching, when all the dreary, sunlit regret would begin to kick in for the debauchery of the previous evening. For months, all I did was be annoyed by this fact, until out on a walk one typically lonely and isolated evening, I decided to find out just what bird or birds were, in fact responsible for these nocturnal calls. They were simple robins, all of them. There wasn't another bird that my Merlin birdsong ID app picked up in spite of multiple, lengthy recordings. Only robins. When I went to go read up on why this was happening, I learned something that diametrically flipped my opinion on this phenomenon. "Ambient noise interferes with the propagation of acoustic signals through the environment from sender to receiver. Over the past few centuries, urbanization and the development of busy transport networks have led to dramatic increases in the levels of ambient noise with which animal acoustic communications must compete. Here we show that urban European robins Erithacus rubecula, highly territorial birds reliant on vocal communication, reduce acoustic interference by singing during the night in areas that are noisy during the day. The effect of ambient light pollution, to which nocturnal singing in urban birds is frequently attributed, is much weaker than that of daytime noise." https://royalsocietypublishing.org/doi/10.1098/rsbl.2007.0134 In the span of an abstract, annoyance seamlessly melted into deep, existential, emotional kinship. Urban robins, it turns out, are minotaurs too.

Ashley Naftule

For the folks rec’ing Ghost Stories—is there a particular ep you’d recommend as a good intro? I tried diving right into The Octopus series but bounced hard off that first ep. I was fighting for my life trying to get through all the talk about that software.

Peter Arsenault

The Bird discussion re: jazz’s evolution was so fascinating, and it was just a segue to contextualize LRH’s frenetic output which turns out to also describe the global economy, and I’m like, “wait, can I get a Spotify playlist?”

SetYourUsername1

FYI, Brakhage's Metaphors on Vision is available on the Internet Archive site

Nick GiRAFfe

Goddamn, Sr. Minotaur, have you seen the series ‘Legion’??