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I’m really glad I started sharing little everyday film shots here.

My usual routine is simple: I shoot something, send it for developing, wait like an excited child, fall in love with the results… and then forget they exist. I almost never go back to look at what I’ve shot. Maybe these frames aren’t “high art,” but they hold emotions, memories, and pieces of life I would’ve lost otherwise. And thanks to you, I’m finally revisiting them - feeling that forgotten “old warmth” again.

Today’s selection is a set of strange photos from my homeland.

Yes, I know - they look a bit depressing. But in my defense, it was December 2024: winter, grey skies, cold wind. Not exactly the most flattering season for Ukraine. But it’s my home. My family is there. And it’s the place my future husband had to visit - a very real compatibility test. If he survives Ukrainian winter, our roads, and my family - well, then he’s probably the one 😅

After our trip to Japan, Gary came to Ukraine to meet my parents - so they’d finally know who I keep disappearing abroad with, and who to file a police report on if anything ever happens to me 😅.

I was nervous about his visit, honestly. My parents don’t speak English, my dad is quiet and introverted, my apartment was very modest, my cat has a… complicated personality, and Kyiv in winter is, well… you can see the photos. Plus the sirens at night and everything that comes with them. And yet Gary turned out to be a tough nut. Everything went surprisingly well.

We even traveled to Mykolaiv - my hometown.

I hadn’t been there since the beginning of the war. But a big part of my close family still lives there: my mom, my aunt, my cousin, my grandpa, my uncle. It felt important to introduce Gary not only to my parents but to the people who shaped my life and feel like my core. Seeing Mykolaiv again wasn’t easy - the city looks tired, damaged, heavy. But it’s still my place. And going back, even briefly, meant something to me.

What surprised me most was watching Gary photograph everything.

At first, I felt embarrassed - I couldn’t see any beauty in the things around us. After the war, sometimes it even hurt to look. But when I later saw his photos, I realized I simply got used to it all. My eyes had stopped noticing. His images captured the atmosphere, the everyday life, the reality of where we were - and I suddenly saw my own country from the outside again.

It’s so easy to adapt to your surroundings.

So easy to stop seeing. I’ve now lived in Cabo San Lucas for almost a year, and I already feel how rarely my hands reach for the camera. Nothing shocks me anymore, nothing feels new - because this place has become home.

And now I keep wondering.... When I was in Ukraine, I couldn’t see any beauty around me because I had simply gotten used to everything. And now, after living in Cabo for almost a year, I feel the same — nothing shocks me anymore, nothing feels new, and I barely reach for my camera. It made me realize how quickly the feeling of “home” turns into comfort, and how comfort slowly erases curiosity. Home is where you exhale, where your body softens, where you finally relax. But inspiration often comes from the opposite state — from newness, excitement, emotional tension.

So I keep asking myself: is it even possible to have both at the same time? To feel at home and still feel inspired? To be grounded but still see the world with fresh eyes? Or is inspiration simply something that belongs to movement, travel, new places, and new emotions?

I don’t know the answer yet. But I’m trying to find out.

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Comments

Sendrock

You, your family, and your country are all incredibly beautiful. Слава Україні ✊🏼

Antoni

Beautiful photos, as always, dear Julia! And, once again, I'm amazed by the beauty and depth of your writing, feelings, and thoughts. You know, I believe that inspiration is possible at any time or place, whether it's your home, your daily routine, or a new place, city, or country. I asked myself the same question years ago and found the answer by asking other questions. Let me explain: I was in a new country, and everything caught my attention. I didn't have enough eyes to see it all (I wished I were an eagle or, even better, a dragonfly). Then I realized that I was observing everything, and a challenging question arose: I told myself that when I returned to the motel room, I should try to draw the neighborhood where I was born and live. To my surprise, I was only able to sketch a general view: the streets, the square, the park, the buildings, the semi-hidden landscape in the background... but I couldn't draw the small details I've seen without really seeing all my life: capitals, details of each house and building, every tree in the square and the park, all of them different in shape, color, and foliage... and the same with countless other details that, if it weren't my home, I'm sure wouldn't have escaped my notice... perhaps because they were always there, within easy reach... That day I decided to rediscover my neighborhood, every corner, and my entire city and its surroundings. I filled several notebooks with drawings of every detail previously unknown to me, as well as many rolls of black and white film that I developed myself at home (always with Ilford paper—I like its grain) and some oil paintings and gouache. I don't think it's a recipe or a valid answer for everyone, but at least it worked for me, and I found my own answer: the "routine" of our home, neighborhood, or city, along with having them always at hand, made me forget to notice the details that weren't essential for getting around... I could even miss a bird chirping! I'd almost dare say it would be difficult for me to draw the apartment where I live and my own room with all its details, "looked at" a thousand times but "seen" and observed in detail very few times. I recognized some of the places in your photos and, of course, your parents, Kate, Aliona, Kali, and, of course, my dear Gary. Greetings, hugs, and kisses to all of you!!! 🇺🇦🫂👌🌹🙏✨️💖

Koenig Photos

Comfort, or complacency? We are naturally seeking for The New; the usual becomes invisible and Boring. But it is possible to be of a place, but drop the complacency. You see it in artists: painters, photographers, writers, comedians, musicians. Great comedians especially seem to have a gift to notice what we all take for granted and show the absurdity, make us re-examine.

nudity.slip

I think you’re right - there’s a big difference between comfort and complacency. And I’m definitely not afraid of comfort......I actually crave it, maybe too much at times))) But I also notice how easily comfort can blur my vision and make everything feel the same. I love what you said about artists being able to drop the complacency and see what others overlook. Maybe that’s exactly the skill I’m trying to rebuild right now - to notice again, to feel again, without needing a new city or a new story every time. Maybe the real challenge is staying awake while staying in one place))

nudity.slip

I love your idea of trying to sketch or re-see the place where you were born. Maybe that really is the challenge for many of us - to train our attention again, to remember how to look at our everyday life with curiosity instead of autopilot. And yes, I think you’re right: it’s not about the place itself, but about how awake we are inside it. I’m still learning that. Still trying to find that balance between comfort and seeing. Thank you for sharing your thoughts with me. It means a lot))