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'Nothing remains for me but to assure you in the most animated language of the violence of my affection.'

Today we are visiting the ballrooms of Regency England as part of our journey through the sparkling courtship comedy that is Pride and Prejudice.

We're discussing social class, dance etiquette, courtship, first impressions, what makes a great character, relationship dynamics, bibliotherapy, minimalism, subtext, comic juxtaposition, Jane Austen's elevation of the novel, pride, prejudice, and much more.

Timestamps:

0:00 ‘it is a truth universally acknowledged…’

2:00 irony, interiority & free indirect style

4:00 property & class in Georgian England

6:00 ‘the business of Mrs Bennet’s life’

8:00 meeting Elizabeth Bennet & her sisters

10:00 the social class of the Bingleys & Bennets

12:00 Austen’s mastery of comic juxtaposition

14:00 masterclass in dialogue & minimalism

16:00 difference between Austen & her peers

17:00 the power of Jane Austen’s characters

19:00 meeting Mr Bingley & Mr Darcy

20:00 what does ‘amiable’ really mean?

21:00 dancing, courtship & Regency etiquette

23:00 Mr Darcy offends Elizabeth Bennet

24:00 meditating upon first impressions

26:00 we are what our neighbours make us

28:00 how we determine another’s character

30:00 novel as vicarious exploration of pride

31:00 difference between pride & vanity

33:00 Aristotle’s thoughts on pride as virtue

35:00 character needs time & space to develop

36:00 showing more affection that one feels

39:00 love & hate alike is often reciprocal

41:00 ‘the beautiful expression of her dark eyes’

43:00 Jane Bennet falls ill at Netherfield Park

45:00 how character reveals itself in action

46:00 Elizabeth walks through miles of mud

48:00 Darcy & Elizabeth’s love of reading

50:00 how Jane Austen elevated the novel

52:00 how Darcy tries to flirt with Elizabeth

54:00 what we say vs what we really mean

56:00 when someone tells you who they are

58:00 what Mr Darcy thinks of pride

1:00:00 who are we really arguing with?

1:02:00 Darcy feels like he’s in some ‘danger’

1:04:00 meeting the ‘odious’ Mr Collins

1:06:00 Mr Collins’ plan of atonement

1:08:00 gothic romance vs books of sermons

1:09:00 French Revolution & Napoleonic Wars

1:11:00 fears of land invasion in England

1:13:00 bibliotherapy & Austen’s healing power

1:14:00 meeting the caddish Mr Wickham

1:16:00 bad blood between Wickham & Darcy

1:18:00 hilarity ensues at the Netherfield Ball

1:20:00 Darcy & Collins dance with Lizzy

1:22:00 Mr Collins’ proposes to Elizabeth

1:24:00 true feelings vs pragmatism

1:26:00 Mr Collins & Charlotte Lucas

1:27:00 Mr Bingley withdraws from Netherfield

1:28:00 volume two for our next discussion

1:30:00 what are you making of the novel?

Recommended Resources:

  • Documentary: There is a superb documentary called 'In Jane Austen's Footsteps' with the infectiously enthusiastic Gyles Brandreth, which you can watch available from Channel 5 here. If you enjoy this documentary, you'll be excited to know that there are episodes available about Thomas Hardy, the Brontë sisters, and Charles Dickens too.

  • Austen at Home: Two of my favourite historians, Lucy Worsley and Dan Snow, have a fascinating video in which they take us into Austen's house at Chawton to discuss her extraordinary life and tragic early death here. I would also highly recommend Virginia Woolf's 'A Room of One's Own' as a short complementary read as her meditations upon the history of women writers, which includes powerful comment upon Jane Austen, are incredibly thought-provoking.

  • Regency World: If you find the world of Regency Britain as exciting as I do, then you might be interested in Ian Mortimer's 'The Time Traveller's Guide to Regency Britain', which makes the era come alive. And, for readers who enjoy the novels of Georgette Heyer, you might also be interested in this great book club reader recommendation of a guide to the regency world, as the sociocultural context explored will reward the reader of Jane Austen too.

  • Non-fiction: Azar Nafisi has an incredibly compelling memoir called 'Reading Lolita in Tehran', which details how a group of women in Iran would meet each week to discuss the forbidden works of Western literature. Works like Lolita, The Great Gatsby, and Pride and Prejudice. The entire book is fascinating, but you might wish to go straight to the chapter on Jane Austen.

  • Reading Exercise: Tom Keymer, in 'Jane Austen: Writing, Society, and Politics', identified nineteen centres of consciousness throughout Pride and Prejudice. Remain mindful on a sentence-by-sentence basis, and see if you can identify whose thoughts are intruding into the narrative at different times. I think it would be wonderful if we could collect examples of all nineteen as we move through the novel together.

Reading Assignment:

Our next discussion will cover the second volume of the novel, which runs to chapter forty-two, and takes us up to page 232 in the Penguin paperback edition.

Questions for You:

1) What were your first impressions of Pride and Prejudice?

2) What makes Jane Austen's characters feel like real people?

3) What was your favourite scene from the first volume?

4) How do you feel about pride? What are you proud of? 

If this is your first reading of Pride and Prejudice, I would love to know how the story is meeting your expectations. 

If this is a reread for you, what is it like returning to the story? And please do share with us your favourite passages, ideas, and characters from the first part of the novel.

Happy reading, everybody!

Files

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Comments

Andy Stephen

I was going to skip reading P&P as I’d read (and loved) it before but after having finished JM Coeztee’s Disgrace (a wonderful but extremely harrowing read) I needed something close to a comfort read and this absolutely fit the bill. It’s been nearly 20 years since I last read it. This is also the first time I’ve ever read-read a book (as an adult anyway). I’m thoroughly enjoying it second time through, possibly even more than the first read! It’s such a funny book. And funny because the characters are all so acutely observed and their dialogue and interactions are such a joy to read

NicoleA

I am watching the 1995 series alongside my reading and it is such a great immersive experience. I love Mr Bennet. He is so warm and funny. I imagine him to be based on Jane Austen's father.

Kristen Egener Chaddah

I’m coming in late on these lectures (July 3) and delighted to be joining the conversation. Benjamin, your enthusiasm for the novel is infectious. I too find Mr. Bennett a very lovable character, Mr. Collins highly comical, and Jane Bennett highly admirable and pleasing. And yes, volume one ends with a cliff hanger. I can imagine readers of the time anticipating the continuing story. With many interruptions in my personal life, my reading of Pride and Prejudice really never took off. However, your animated lecture lifts my interest considerably.

Wally Wallace

Here are my late night thoughts. If “Pride’s” opening line paired with its following line were the obverse side of the novel’s two sided coin, then my submission for the reverse side of the coin is the following: “— Without thinking highly either of man or matrimony, marriage had always been her object; it was the only honourable provision for well-educated young woman of small fortune, and however, uncertain of giving happiness, must be then pleasantest preservative fromwant. This preservative she had now obtained, and at the age of twenty-seven without having ever been handsome, she felt all the good luck of it.” — Chapter 22 I would also entitle the obverse “Man” and the reverse “Woman.” Any thoughts to anyone who may still be monitoring this comment string?

Cherian Philipose

Darcy is so nasty to begin with, 'She's tolerable I suppose...'

Cherian Philipose

If Jane Austen's characters feel like real people, then that is a comment on the work of other novelists, whose characters feel less real. Some novelists have not mastered the art of characterisation. Or, they do not think character is important.

Cherian Philipose

My favourites are Lizzie, Mr. Bennett, Mrs. Bennett, Jane, Mr. Collins, Bingley. I can't say I like Darcy all that much, but I don't hate him.

Leah

The comment about how women also miss obvious signs of interest from men was very funny to me a few minutes later when it was pointed out that Darcy was complimenting Elizabeth by saying the ideal woman is a reader while she was reading. I 100% missed that.

Matthew McVittie

I was a little late getting to reading this but very much enjoying it. It's funny the pride and prejudice that is associated with reading the novel. I'd never considered it and just assumed it to be something that wouldn't interest me. Even when I got the book my wife asked "why would your read that" knowing I'm not particularly interested in "rom coms" but I've been loving it. The humour and satire through the work has had me laughing repeatedly. It's interesting as well as I've been working my way through Middlemarch too and can't help the comparison, or perhaps the contrast, between them. One note on the "two dances", as I understand it that was the convention of the time, that you would dance with a partner for two dances lasting about fifteen minutes each (giving plenty of time for conversation) then rest. So there's maybe not that much significance on Lizzie dancing two dances with partners, unless it was two sets of dances, in which case, ignore me! I don't have the book to hand right now to check. 1) First impressions were how amusing it was. I started by reading but have been listening to the Rosamund Pike read audiobook and the characterisation she brings to it really brings it to life. 2) Initially I found Mr Bennett particularly amusing, though as I've learned more of him I've come to find him more distasteful. I can definitely identify with some aspects of Darcy, particularly in my younger self. 3) I'm near the end now so can't remember clearly enough which scenes were in the first, but the one of Elizabeth turning up after her cross country trek and the exchange between them all that evening stands out. 4) I tend to agree with Darcy that pride in the right place can be a positive thing. As with all things it can have a light and dark side though, and part of maturity is knowing when to use pride to do the right thing, and when it must be set aside to avoid becoming prejudice.

Josie Swallow

https://youtu.be/T9lBx9IlIjU?si=CXHsdtCVvF9Ah53w I’d like to share this fascinating discussion from the British Library about fashion in Regency Britain, and what we can glean about its significance in Austen’s novels. For example, I loved learning about how long it took to prepare a new outfit for a ball, the fabrics available, and where they originated. It brings so much contextual depth and clarity to some of Austen’s asides. Enjoy 😊