The Winter's Tale (Shakespeare Project Lecture) (Patreon)
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'A sad tale's best for winter...'
Our journey through the works of William Shakespeare continues, and we have now arrived at the late masterpiece that is The Winter's Tale.
We’re discussing romance vs tragedy, monomania, jealousy, paranoia, psychologically complex characterisation, the fantastical, style vs substance, bizarre stage directions, and much more.
Timestamps:
0:00 appreciating mature Shakespeare
2:00 the sublime beginning of this play
4:00 tinges of King Lear & Othello
5:00 the source material for this story
6:00 from upstart crow to national poet
8:00 the Shakespearean difference
10:00 Leontes, Hermione & Polixenes
12:00 monomania, jealousy & paranoia
14:00 ‘we were as twinned lambs’
16:00 is Leontes in a midlife crisis?
18:00 Shakespearean characterisation
20:00 poetry in the condition of prose
22:00 appreciating Leontes’ soliloquy
24:00 the breath of English verse
28:00 fractured speech & fractured mind
30:00 dramatic monologues of Browning
32:00 Leontes: ‘Is whispering nothing?’
34:00 sublime crescendo of nothings
36:00 the flight of Polixenes & Camillo
38:00 ‘a sad tale’s best for winter’
39:00 Shakespeare’s metatheatricality
40:00 ‘all’s true that is mistrusted’
42:00 the king accuses the queen
44:00 are the gods present in this play?
46:00 the bard’s sympathy for women
48:00 the moral strength of Paulina
50:00 moving from tragedy to romance
53:00 the social function of romance
55:00 when were acts first inserted?
56:00 what were the first plays like?
57:00 ‘your actions are my dreams’
59:00 greatest pain of being human
1:00:00 Antigonus abandons Perdita
1:01:00 ‘exist, pursued by a bear’
1:02:00 smashing the classical unities
1:04:00 Time steps forth as Chorus
1:06:00 Prince Florizel woos Perdita
1:08:00 the sheep-shearing festival
1:10:00 appreciating the natural world
1:12:00 Florizel & Perdita flee Bohemia
1:14:00 Leontes living in life-long grief
1:16:00 the living statue of Hermione
1:18:00 anticipating our next play
1:19:00 your thoughts on the play?
Recommended Resources:
Arden Edition: The Arden edition of this play is excellent. The critical introduction and annotations are incredibly insightful.
Radio Adaptations: I highly recommend this version with the legendary thespian Sir John Gielgud in the role of Leontes.
Critical Appreciation: One of my personal favourite works of Shakespearean appreciation comes in Northrop Frye's A Natural Perspective, a slim but wonderful volume for any lover of the romance plays to have. On the ending of The Winter's Tale, Frye would say: 'It is the world we want; it is the world we hope our gods would want for us if they were worth worshipping.'
Scene Appreciation: Tara Fitzgerald delivers a moving and compelling performance of Hermione in response to her husband's unjust accusation here. You can also see the marvellous Judi Dench performing Paulina taking Kenneth Branagh as Leontes to task here.
Television: As we spoke about the origin of the phrase 'upstart crow' in our discussion, you may like to enjoy this television series which takes the insult for its title. The fantastic David Mitchell plays William Shakespeare in a sitcom written by Ben Elton that follows the bard during the early days of his rising popularity. This is a rewarding watch for those who have become familiar with Will over the course of our reading.
Our Journey Thus Far: If you want to jump into any specific play, you can check out the works we've enjoyed thus far as part of our read-through here.
Questions for You:
1) In which genre do you think Shakespeare was strongest? And which genre do you think was his personal favourite?
2) Which character resonated with you the most in this play?
3) What line, passage, or idea, struck you the most? And what is your personal grading for The Winter's Tale?
Happy reading, Bardolators!
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