Home Creators Posts Import Register Favorites Logout
haven't archived this post yet. have a subscription? use the importer!

Content

The first ten chapters of Persuasion alternate between Shakespearean comedy and painful remembrance of things past.

We're talking about how Austen truthfully renders real life, the Romantic Sublime, the blessings of memory, and the difficulty of taking advice from those you love.

We're also examining how Austen pioneered the literary narrative technique of free indirect discourse and delighting in what we might affectionately dub the "Austen Aside".

Lecture Timestamps

  • 0:00 a game to orient your reading
  • 3:00 courtly romance and garden scenes
  • 4:30 the value of rereading Persuasion
  • 6:00 feeling the love between the lines
  • 7:00 love vs alliance vs affection vs like
  • 8:00 a short period of exquisite felicity
  • 8:30 subtext and iceberg theory
  • 9:00 where is your advice coming from?
  • 10:30 “he had nothing but himself to recommend him”
  • 12:30 blending the semantics fields of war and bloom
  • 13:30 the irony overhanging the entire novel
  • 14:30 an engagement of only a few short months
  • 15:30 do you pity Anne Elliot? Austen?
  • 17:00 how Austen expertly and truthfully renders real life
  • 19:00 was Anne actually persuaded?
  • 20:00 “such uncertain future good”
  • 22:00 we the readers have the gift of hindsight, time, and distance
  • 23:00 “all his confidence had been justified”
  • 24:00 the recklessness of single men without dependents
  • 25:00 the heartbreak below the surface
  • 27:40 free indirect discourse and the “Austen Aside”
  • 30:00 Austen, Goethe, Kafka, Flaubert, Cervantes
  • 33:00 relative clauses and Proustian sugar cubes
  • 33:40 reading the Great Works aloud
  • 34:30 understanding characters by virtue of their counterpart
  • 36:00 Austen, Wordsworth, and the Romantic Sublime
  • 42:00 the Shakespearean tenth chapter
  • 45:00 Anne overhearing Louisa and Wentworth
  • 47:30 the blessing of memory, pain, poetry
  • 48:30 proof of the depth of Anne and Wentworth’s love
  • 49:00 is Persuasion a comedy?
  • 51:00 outliving the storms of autumn
  • 53:00 Anne is blessed with memory, Wentworth with strength

Extra (Optional) Poetry Reading Assignments

1) We read some of Wordsworth's 'Tintern Abbey' during the course of this lecture. Why not treat yourself to the whole thing? We'll pull it apart together soon.

2) If you would like to foray further into Romantic poetry, you could try almost anything by John Keats ('To Autumn', 'Ode to a Nightingale', 'Ode on a Grecian Urn') and you would find the spirit of Austen in his heartbreaking verse. I am convinced that Keats read, relished, and learnt from Austen. 

The Romantic poets (Wordsworth, Keats, Shelley, Coleridge, Blake) are all incredibly well served in the Pocket Poets Everyman series.

Let me know any thoughts you have on Persuasion, Anne Elliot, Captain Frederick Wentworth, pain, memory, the Austenite novel, or anything else that has captivated you during reading.

Happy reading!

Files

Previews only

Deep Analysis of Persuasion: Outliving the Storms of Autumn (Ch. IV - X)

0:00 a game to orient your reading 3:00 courtly romance and garden scenes 4:30 the value of rereading Persuasion 6:00 feeling the love between the lines 7:00 love vs alliance vs affection vs like 8:00 a short period of exquisite felicity 8:30 subtext and iceberg theory 9:00 where is your advice coming from? 10:30 “he had nothing but himself to recommend him” 12:30 blending the semantics fields of war and bloom 13:30 the irony overhanging the entire novel 14:30 an engagement of only a few short months 15:30 do you pity Anne Elliot? Austen? 17:00 how Austen expertly and truthfully renders real life 19:00 was Anne actually persuaded? 20:00 “such uncertain future good” 22:00 we the readers have the gift of hindsight, time, and distance 23:00 “all his confidence had been justified” 24:00 the recklessness of single men without dependents 25:00 the heartbreak below the surface 27:40 free indirect discourse and the “Austen Aside” 30:00 Austen, Goethe, Kafka, Flaubert, Cervantes 33:00 relative clauses and Proustian sugar cubes 33:40 reading the Great Works aloud 34:30 understanding characters by virtue of their counterpart 36:00 Austen, Wordsworth, and the Romantic Sublime 42:00 the Shakespearean tenth chapter 45:00 Anne overhearing Louisa and Wentworth 47:30 the blessing of memory, pain, poetry 48:30 proof of the depth of Anne and Wentworth’s love 49:00 is Persuasion a comedy? 51:00 outliving the storms of autumn 53:00 Anne is blessed with memory, Wentworth with strength

Comments

Rashmi

It’s so good hearing your analysis, Ben. I realized how superficially I read it before. I definitely did not notice the war language for example (similar to War and Peace in the salons). Looking forward to rereading it under your guidance.

Kaushi

The danger Lady Russel saw was the possibility of Wentworth’s early death, or injury / disablement which could put an end to his hopes and dreams of career advancement. The same as what happened to his friend and fellow sailor Captain Harville, whose family situation works to show us an alternative reality for an ardent, impetuous very young Mrs. Wentworth. The lack of connections or money on his side is the lack of support for her in such a situation. His later fortune no one could have foretold at the time with any certainty. What Anne thinks at 27 about what she would tell other young couples seeking advice is the result of her later lonely empty situation. Had her father taken her to London every year, had she been in Bath with Lady Russel regularly and had similar admiring companions as at 27, would her mind have been so full of Wentworth? Who knows? I waited hopelessly and feeling guilty for a ‘persuaded’ decision, but in the end successfully against all incredible odds, for a full 16 years, refusing more ‘advantageous’ and even attractive and very compatible admirers. Being called unnatural ;)) for being faithful, realising in the bone marrow for myself that ‘fidelity, is a fruit of love’, that an opposite decision is an impossibility even when one sees all the value of a one, that one simply was and had not could not have decided to be faithful. The realisation that takes another decision beyond any persuasion, thereby living the ‘Stonewalls do not a prison make nor iron bars a cage/ Hearts young and innocent make them a hermitage’. Thank you for these reflections and chance for sharing and discussions.