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This is our post-play analysis for The Tragedy of Othello.

You may wish to listen after your first reading of the play, using the lecture as an opportunity to reread. Or you may wish to listen as you make your way through the play in real time.

We have timestamps indicating the topics, with acts and scenes referenced throughout the video, so feel free to digest our discussion in the way that best serves you.

Timestamps

  • Act One
  • 0:00 the history of Othello
  • 3:00 Iago as Satan scorned
  • 6:00 the motif of ‘proof’
  • 9:00 who do we know?
  • 11:30 “I am not what I am”
  • 17:58 objectification of Desdemona
  • 18:58 “the beast with two backs”
  • 20:00 staging prejudice
  • 23:00 the poetry of Othello
  • 27:12 “keep up your bright swords”
  • 30:00 a sign of thinking rationally
  • 32:00 how Othello charmed Desdemona
  • 41:58: “she has deceived her father”
  • 43:00 “put money in thy purse”
  • 49:00 the genres of comedy and tragedy
  • 58:00 “I hate the Moor”
  • Act Two
  • 1:01:00 Iago ensnaring flies
  • 1:05:00 how Othello sees Desdemona
  • 1:08:00 questioning what we’re told
  • 1:10:00 “cannot speak any beginning”
  • 1:14:00 the rhythm of Othello
  • Act Three
  • 1:21:00 the high point of tragedy
  • 1:23:00 Iago deceives Othello
  • 1:29:00 when thoughts become proof
  • 1:34:00 Iago as poisoning playwright
  • 1:37:00 “give me the ocular proof”
  • 1:40:00 Desdemona’s handkerchief
  • 1:42:00 acting out of character
  • 1:44:00 the irrationality of jealousy
  • Acts Four & Five
  • 1:46:00 Othello’s fits of jealousy
  • 1:48:00 what Othello teaches us
  • 1:51:00 Othello strikes Desdemona
  • 1:54:00 motiveless motive-hunting
  • 1:56:00 Satan the accuser
  • 1:57:00 “it is the cause”
  • 2:00:00 the tragic finale of Othello
  • 2:04:00 Othello’s final speech

Questions to Consider:

1) Can we ever truly, fully know another person? Can we ever fully know ourselves?

2) Which of Shakespeare's characters feel the most real to you so far? (e.g. Iago vs Hamlet, King Lear vs the Macbeths)

3) What lines/scenes would you like us to focus on and appreciate together? Our next Othello video is the third piece in our “three reads” approach, and will involve comparing different productions.

Bonus - Let us know what your reading experience looked like. If this is a reread, did you experience the play differently this time around? If this is your first read, did the play shatter expectations?

Happy reading, everybody!

Files

Previews only

Shakespeare's Tragedy of Othello (Star-Crossed Lovers II)

0:00 the history of Othello 3:00 Iago as Satan scorned 6:00 the motif of ‘proof’ 9:00 who do we know? 11:30 “I am not what I am” 17:58 objectification of Desdemona 18:58 “the beast with two backs” 20:00 staging prejudice 23:00 the poetry of Othello 27:12 “keep up your bright swords” 30:00 a sign of thinking rationally 32:00 how Othello charmed Desdemona 41:58: “she has deceived her father” 43:00 “put money in thy purse” 49:00 the genres of comedy and tragedy 58:00 “I hate the Moor” 1:01:00 Iago ensnaring flies 1:05:00 how Othello sees Desdemona 1:08:00 questioning what we’re told 1:10:00 “cannot speak any beginning” 1:14:00 the rhythm of Othello 1:21:00 the high point of tragedy 1:23:00 Iago deceives Othello 1:29:00 when thoughts become proof 1:34:00 Iago as poisoning playwright 1:37:00 “give me the ocular proof” 1:40:00 Desdemona’s handkerchief 1:42:00 acting out of character 1:44:00 the irrationality of jealousy 1:46:00 Othello’s fits of jealousy 1:48:00 what Othello teaches us 1:51:00 Othello strikes Desdemona 1:54:00 motiveless motive-hunting 1:56:00 Satan the accuser 1:57:00 “it is the cause” 2:00:00 the tragic finale of Othello 2:04:00 Othello’s final speech

Comments

Anonymous

Othello is the first of Shakespeare’s tragedies I have read since school days. I’m studying the themes of love in particular. I wonder if Othello’s love for Desdemona was overshadowed by self-love. Othello had an obsession with being cuckolded, it seemed to be the very worst thing that could happen to him, or any man, as he used this as justification for taking her life. Even at the end he seemed more concerned with what would be said of him than the loss of Desdemona. This could be a result of being ‘the Moor’ and having to work hard for good opinion, knowing that it still wouldn’t be enough to allow a noble of Venice to give his daughter in marriage. Othello’s exotic and slightly dangerous past thrilled Desdemona and made him all the more attractive, much more exciting to her than the ‘wealthy curled darlings’ of Venice. She wanted to live on the wild side and risked it all for him. There were cautionary tales within this cautionary tale.

Emma Yap

I really loved reading Othello, and next to Macbeth, found it to be one of the most moving Shakespeare plays. I agree with some of the comments above that this play seems more painful and intimate than some of Shakespeare's other tragedies, possibly because it's all completely avoidable. Jealousy is something that everyone has experienced at some time or another, and it really has the potential to drive one mad. I personally found Desdemona to be quite annoying - just stop needling Othello about Cassio can't you see the man needs a break?! And that bit where she comes back to life briefly after Othello kills her, and still refuses to blame her husband - I mean, come on! For me, Iago didn't overshadow Othello - I feel that Othello very much comes across as a fully realised tragic protagonist. I think the reason he he succumbs to Iago's manipulation so quickly is because he finds himself in a strange unfamiliar culture, and has created this perfect image of himself to portray to the world. But he's scared that Desdemona has fallen in love with this image of himself, rather than who he really is. And this image is so fragile that all it takes is for Iago to touch on his pressure points for it to completely collapse, and for him to give into his greatest fears and insecurities about Desdemona. I'm sure he also has some internalised racism and deep feelings of self hatred, which all come to the surface. Iago plays on Othello's unfamiliarity with Venetian culture, making him unsure whether he really knows Desdemona at all - he THINKS she loves him, but how can he really know anything about her or the culture she comes from? Maybe he's completely mistaken?