George Eliot's Middlemarch - 'Waiting for Death' (Lecture Three) (Patreon)
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George Eliot's people have a consciousness all their own, her world feels wonderfully lived-in, and we find ourselves yearning to know: What happens next?
In book three, we learn what post-honeymoon life is like for the new Mr and Mrs Casaubon. We shiver with fever along with Fred Vincy. We see the engagement of Lydgate and Rosamond. We sit with Mary Garth at Featherstone's bedside. And, all the while, George Eliot's distinctive voice rings out.
Lecture Timestamps:
- 0:00 George Eliot’s year of composition
- 2:30 living in Middlemarch
- 4:00 our relationship with Eliot’s characters
- 5:00 opening with Fred Vincy
- 6:40 Fred Vincy and Caleb Garth
- 7:10 how Eliot reveals character
- 8:20 Eliot’s authorial intrusion
- 11:00 a master brushstroke from Eliot
- 12:50 Jack and the Beanstalk
- 14:00 fairy tales vs realist novels
- 15:00 horses in great literature
- 19:53 Eliot’s love of Shakespeare’s sonnets
- 21:50 how to approach epigraphs
- 24:00 does sorrow mend an injury?
- 25:30 the novels of Sir Walter Scott
- 27:00 George Eliot’s mottoes
- 31:40 Eliot’s reading of Shakespeare
- 32:00 Dorothea as Richardsonian heroine
- 32:54 “the theatre of all my actions is fallen”
- 35:00 viewing another as they could be
- 37:00 George Eliot’s epic tone
- 37:40 Mrs Garth and Fred Vincy
- 44:30 Fred faces Mary Garth
- 51:00 Fred is struck by typhoid fever
- 53:00 how Fred and I were ill at the same time
- 55:00 Lydgate “cures everyone”
- 56:00 the gods of the 19th Century
- 59:00 reform on the provincial level
- 1:00:00 George Eliot’s candle parable
- 1:03:00 Rosamond and Lydgate
- 1:06:35 Lydgate vs Ned Plymdale
- 1:11:37 the humour and poetry of Eliot
- 1:12:10 Dorothea and Casaubon return
- 1:20:00 extending sympathy to Casaubon
- 1:28:00 Lydgate’s prescription
- 1:31:00 the great bell of Middlemarch
- 1:32:15 Rosamond and Lydgate engaged
- 1:33:00 the death of Featherstone
- 1:34:00 Mary Garth’s meditations
- 1:38:00 the next instalment of Middlemarch
Questions to Consider:
1) What do you make of the epigraphs for each chapter? Do they enhance your reading experience? Why do you think George Eliot uses them?
2) If we take George Eliot to be a moral writer, what do you think she is trying to teach us?
3) What are George Eliot’s greatest strengths? And would you say she is a difficult writer?
4) Which character arc are you enjoying the most? Who do you relate to? Can you see that changing?
Happy Middlemarching, folks!
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