How to Read Shakespeare's Comedies (Patreon)
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Shakespeare’s comedies are festive celebrations of what truly matters in life.
They take us back to the heart of nature, replenish us, and give us a magical new perspective on our place in the universe.
Today, in preparation for our deep appreciation of A Midsummer Night’s Dream, As You Like It, and Much Ado About Nothing, we are discussing the genre of Shakespearean comedy.
Topics include: tragedy vs comedy, the problem of defining genre, the ritualistic function of drama, plays-within-plays, and the natural world as mirror.
Timestamps:
- 0:00 from tragedies to comedies
- 3:00 a new dawn of Shakespeare appreciation
- 4:00 tragedy vs comedy
- 6:00 the medicinal power of comedy
- 6:30 the Falstaff cure
- 9:00 aligning our reading with the seasons
- 10:00 inaugurating “Midsummer Magic”
- 10:30 my personal connection to these plays
- 11:00 A Midsummer Night’s Dream
- 11:55 As You Like It
- 13:35 Much Ado About Nothing
- 14:00 Shakespeare the Comic
- 15:00 Shakespeare’s artistic development
- 16:30 the problem of designating genres
- 17:20 Comedies, Histories, Tragedies
- 18:30 the Shakespearean theatre scene
- 20:20 comedy, clowning & laughter
- 21:00 “speak the speech” (Hamlet)
- 22:00 love and romance in the comedies
- 22:50 Othello as corrupted comedy
- 23:30 comedy is tragedy until the end
- 24:00 how to prepare for the comedies
- 25:00 rereading & “three reads” method
- 26:00 comic vs tragic trajectory
- 27:00 Othello vs A Midsummer Night’s Dream
- 29:00 the ritualistic function of drama
- 30:00 Ancient Greek vs Shakespearean drama
- 31:45 comedy as festive celebration
- 33:00 Barber’s saturnalian pattern
- 33:55 Elizabethan vs Jacobean plays
- 35:30 Elizabeth’s Merry England
- 38:00 feasts, festivals & holidays
- 40:30 holidays vs workdays
- 41:20 from release to clarification
- 42:00 a heightened appreciation of nature
- 43:00 fleeing the cities & mocking the unnatural
- 44:00 the importance of rest & recovery
- 45:00 on escaping the city to the countryside
- 46:00 comedy & the power of perspective
- 47:00 Barber on Shakespeare’s festive comedy
- 49:50 comic genre as fertility festival
- 50:00 Rosalind in the Forest of Arden
- 51:40 Shakespeare and Aristophanes
- 53:00 gods and rebirth in Shakespeare
- 55:00 why Plato would ban Shakespeare
- 58:00 animals, nature, and other selves
- 59:00 man’s place in the universe
- 1:02:00 Shakespeare’s environmentalism
- 1:05:00 “All the world’s a stage”
- 1:08:00 Shakespearean wild as mirror
- 1:10:00 we are caught between worlds
- 1:11:00 the play-within-the-play
- 1:13:00 the magic of Shakespeare’s world
- 1:14:00 the ultimate value of comedy
- 1:18:00 why we read the comedies
Recommended Resource:
The Arden Series for Shakespeare’s Comedies:
Questions for you:
1) What is your current relationship with Shakespeare's comedies? Which ones have you experienced? And which ones are you most looking forward to?
2) Have you found any benefits to aligning your reading with the seasons?
3) Which genre are you most drawn to: tragedy or comedy?
Happy reading, everybody!
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