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"I am extremely concerned, my dearest friend, for the disturbances that have happened in your family."

Today we're making the acquaintance of Samuel Richardson and Clarissa Harlowe.

We'll examine the linguistic difficulties of the novel, and discuss tactics for overcoming them. 

In order to understand what makes Richardson's Clarissa so extraordinary, we will set it up against Daniel Defoe's Robinson Crusoe and Henry Fielding's Tom Jones.

We will then read the opening of the novel together in preparation for a full immersion in the world of Clarissa. 

This video is composed of four main parts:

  • the 18th Century prose style
  • Richardson vs Defoe & Fielding
  • the author's preface 
  • the first two letters 

Video Timestamps:

  • 0:00 overcoming the difficulties of Clarissa
  • 3:45 a linguistics discussion 
  • 5:10 reconnecting with the oral tradition
  • 9:45 Daniel Defoe's Robinson Crusoe 
  • 11:30 what is the first English novel?
  • 13:20 Defoe and the rise of the individual
  • 16:30 on beginning in medias res 
  • 20:00 Henry Fielding's Tom Jones
  • 24:30 Richardson's preface to Clarissa
  • 26:00 the intrigue of the letters 
  • 32:00 the instantaneous in literature
  • 33:30 reading for the sentiment 
  • 34:00 Richardson's moral purpose 
  • 38:00 Anna Howe's first letter
  • 45:27 Clarissa Harlowe's first letter
  • 55:15 preparing for our next video
  • 56:00 reading assignment & advice 
  • 1:00:00 becoming the first reader

Reading Assignment:

Consider our comment threads to be our coffeehouse where we congregate to gossip about the novel. Let's keep each other updated and share our impressions as we work through Clarissa. 

Questions to consider:

1) How far into Clarissa have you read? Have you settled into the world?

2) Dr. Samuel Johnson advised us to read Richardson for the sentiment, rather than the story. Would you say that's good advice?

3) Clarissa is in the top twenty longest novels ever written. Do you think it would work if it were shorter? 

4) Do you like or dislike the characters you have met so far? 

Happy reading, everybody!

Files

Previews only

Samuel Richardson's Clarissa and the Rise of the Novel

0:00 overcoming the difficulties of Clarissa 3:45 a linguistics discussion 5:10 reconnecting with the oral tradition 9:45 Daniel Defoe's Robinson Crusoe 11:30 what is the first English novel? 13:20 Defoe and the rise of the individual 16:30 on beginning in medias res 20:00 Henry Fielding's Tom Jones 24:30 Richardson's preface to Clarissa 26:00 the intrigue of the letters 32:00 the instantaneous in literature 33:30 reading for the sentiment 34:00 Richardson's moral purpose 38:00 Anna Howe's first letter 45:27 Clarissa Harlowe's first letter 55:15 preparing for our next video 56:00 reading assignment & advice 1:00:00 becoming the first reader

Comments

Andy McKinney

If you want something a bit lighter to read alongside 'Clarissa' try Roddy Doyle's 'Two Pints', 'Two More Pints' and 'Charlie Savage'. The first two are episodic and are done as two friends chatting in a bar. 'Charlie Savage' contains weekly letters the protagonist wrote to a newspaper but really reveal his life story. They are accessible but funny and insightful just like his hero Charles Dickens. There's also 'What's Wrong With America' by Scott Bradfield which is written as diary entries and again is very funny. Bradfield's writing has garnered praise from the likes of Jonathan Lethem and Brian Moore. Finally I would recommend 'The Various Lives Of Keats And Chapman' by Flann O'Brien which is very funny but a lot of his references are more highbrow than the other two writers who I have mentioned.