Home Creators Posts Import Register Favorites Logout
haven't archived this post yet. have a subscription? use the importer!

Content

"Alas! alas! for some the light is darkness.”

Tonight we’re talking about evil spirits, possession, flow states, and the divine (or demonic) power of music.

We’ll be leveraging J. Meade Falkner’s ghostly tale: ‘The Lost Stradivarius’ (1895).

Video Timestamps:

  • 0:00 introduction to our talk
  • 1:30 my discovery of the tale
  • 3:20 the nightmare begins
  • 5:00 tradition of fictional music
  • 10:00 the Dionysian condition of music
  • 13:00 painting, music, body & soul
  • 15:00 music, nature & consciousness
  • 17:30 can art be morally good or bad?
  • 19:00 art as self-expression
  • 22:00 the fear of evil music
  • 23:00 music & ephemerality
  • 24:00 repression & fear of death
  • 26:00 existential dread & anxiety
  • 31:00 evil in the name of good
  • 35:00 life vs death
  • 37:30 demonic passion/rage
  • 40:00 the fear of the uncanny
  • 42:00 states of flow
  • 46:30 what does evil mean?
  • 51:00 evil as external force
  • 53:00 Aristotle’s ethics
  • 55:00 the anxiety of neo-platonism
  • 56:40 on peak experiences
  • 58:20 the idea that all is one
  • 1:00:00 God is the universe
  • 1:05:00 the circle of the nous
  • 1:11:00 ladder of consciousness
  • 1:15:00 music & unconsciousness
  • 1:16:45 the devil & the violin
  • 1:19:00 the Stradivarius violin
  • 1:21:20 types of possession
  • 1:25:00 we are possessed instruments
  • 1:26:00 the sins of the past
  • 1:29:00 for some the light is darkness

Music Appreciation

Here are some works that have a reputation for bringing the listener to a state of ecstasy:

And here are some ‘Stradivarius’ videos for you to enjoy:

Questions to ponder:

1) Have you ever been in a state of flow? If so, are you sure it wasn’t actually a state of possession?

2) Has a piece of music given you a peak experience?

3) Can art be morally good or evil?

4) What did you make of ‘The Lost Stradivarius?’

Happy reading, everybody!

Files

Previews only

maxresdefault.jpg

0:00 introduction to our talk 1:30 my discovery of the tale 3:20 the nightmare begins 5:00 tradition of fictional music 10:00 the Dionysian condition of music 13:00 painting, music, body & soul 15:00 music, nature & consciousness 17:30 can art be morally good or bad? 19:00 art as self-expression 22:00 the fear of evil music 23:00 music & ephemerality 24:00 repression & fear of death 26:00 existential dread & anxiety 31:00 evil in the name of good 35:00 life vs death 37:30 demonic passion/rage 40:00 the fear of the uncanny 42:00 states of flow 46:30 what does evil mean? 51:00 evil as external force 53:00 Aristotle’s ethics 55:00 the anxiety of neo-platonism 56:40 on peak experiences 58:20 the idea that all is one 1:00:00 God is the universe 1:05:00 the circle of the nous 1:11:00 ladder of consciousness 1:15:00 music & unconsciousness 1:16:45 the devil & the violin 1:19:00 the Stradivarius violin 1:21:20 types of possession 1:25:00 we are possessed instruments 1:26:00 the sins of the past 1:29:00 for some the light is darkness

Comments

Dani

Great read, great lecture. I jointed HLBC a couple of days ago and was excited to see The Lost Stradivarius on the list. Gothic literature is a guilty pleasure and a work that incorporates classical music was a bonus. Have I ever been in a state of flow? Yes, playing the piano and running. The experience of transcending narrow and locked thinking has felt more obsessive than possessive so far. Has a piece of music given me a peak experience? Yes, most recently O Terra Addio sung by Leontyne Price. Oh my goodness. Can art be morally good or evil? That's a tough one. My first reaction is no. Art can be abhorrent to the viewer/listener/reader but the work in itself is only a reflection of the perspective of the creator and the recipient. But as I'm typing this I realize I want to ponder this more. What did I make of The Lost Stradivarius? Its message about the power of art to create vulnerability and receptivity is compelling.

Maria Hall

Truly moved and inspired by this lecture, Ben. I need to listen to it over again to make sure I caught all of the tiny gems peppered throughout. Many many thanks - I had fun with this one!