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Quick Tip: How to Carve Out Space in Your Mix (Patreon)

Published:
2025-05-30 10:00:10
Edited:
2025-11-23 22:43:13
Imported:
2026-08
Tags:

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  • 474753558.mp4

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In this Patreon-exclusive quick tip, we’re diving into one of the most common challenges producers face: carving out space in a mix. If you’

In this Patreon-exclusive quick tip, we’re diving into one of the most common challenges producers face: carving out space in a mix. If you’ve ever struggled with elements fighting each other in the frequency spectrum or felt like your track was getting too crowded, this video is for you. I’ll walk you through some practical strategies for making your sounds sit better together and helping your mix breathe without losing depth or impact.

I’ll also cover how to properly bounce your tracks for mixing, which can make a big difference when you're prepping stems or handing off a project. These small adjustments can save you time and frustration down the line. I hope you find these tips helpful and as always, thank you so much for being here and supporting my work on Patreon. It truly means a lot.

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Comments

Carlosmode Gahan

This is good! Yesterday I finished my first track using some of the Ancient technology presets and waymaker, I recorded the tracks from the session view to the arrangement view on a single performance, now I will tweak the modulations I did and the volumes, and will do final mixing and mastering, I am waiting for part 3 of the chill ambient tutorial for the mixing and mastering portion, but this tip is great!👍

Thai Yogi

Thank you, Chris! This is so in the moment. I was working with Ancient Technology 3, and found myself wanting to turn off the reverb in the preset and go with sends before I bake to audio, but felt kind of bad about that, wanting to keep the patch as "original" as possible. I feel much better, now that you have made express what I had been considering (do what you need to get the signal that is best for bouncing to audio, even if that means turning things off or down in the preset, and then adding send fx so they can be further refined after the bounce to audio has been done). Very helpful and really clear on what to think about in terms of what fx I want to bake to an audio bounce, and what fx to offboard by using send fx or other fx devices (outside of the synth) that can/will remain available to tweak/refine after the audio bounce is complete.

DistortedMentality

It's always fascinating to me when you reach the moment when you carve out stuff from a track and realizing that the track don't need more but less. Top quality as always Chris!