N-DEQ RACK, N-DEQ XT RACK & N-TRIDELAY RACK (Patreon)

N-DEQ RACK FOR ABLETON LIVE 11.1, 11.0 AND 10 IS HERE

This ableton live rack is a dynamic subtractive EQ that is extremely useful for tackling problematic frequency areas and suppressing harsh resonances in any sound! N-DEQ has a very fast and easy interface. The dynamic EQ works by filtering any specifically targeted area and uses that same frequency region as a subtractive envelope to dynamically react to peaks and inconsistencies in volume! N-DEQ offers 2 dynamic EQs, while N-DEQ XT offers a total of 4!  

FEATURES: 

DEQ FREQ: Sets the targeted frequency region.  

DEQ GAIN:  This is where the magic happens! This macro lets you increase the input volume of the targeted filtered frequency region and therefore increases the envelope amount of the dynamic eq that subtracts depending on input volume. Turn this up for a desired amount of dynamic filtering! Depending on the loudness of the input signal you may have to further increase the gain macro if your input is relatively quiet! N-DEQ will now dynamically reduce any harsh peaks whenever they occur at that frequency region! 

DEQ Q: Sets the Q or narrowness of the Filter! If you want to target a wider range of frequencies keep this setting low. If you want to tackle very specific resonances you can turn up DEQ Q to get a more surgical dynamic reduction! (edited)

N-DEQ XT RACK FOR ABLETON LIVE 11.1 AND 11.0 IS HERE

This ableton live rack is a dynamic subtractive EQ that is extremely useful for tackling problematic frequency areas and suppressing harsh resonances in any sound! N-DEQ XT has a very fast and easy interface. The dynamic EQ works by filtering any specifically targeted area and uses that same frequency region as a subtractive envelope to dynamically react to peaks and inconsistencies in volume! N-DEQ offers 2 dynamic EQs, while N-DEQ XT offers a total of 4!  

FEATURES: 

SAME AS N-DEQ RACK! YOU NOW HAVE 4 DYNAMIC EQs INSTEAD OF 2

N-DEQ XT IS NOT AVAILABLE FOR ABLETON LIVE 10.1

N-TRIDELAY RACK FOR ABLETON LIVE 11.1, 11.0 AND 10 IS HERE 

This ableton live rack is a tonality machine! N-TRIDELAY works by creating a parallel chain that includes 3 consecutive delays. You can individually change their delay times and create incredibly interesting tonalities!  The 3 delays are mixed together which causes them to react to each other. This is the reason why normally 1 delay would not be enough to create complex resonances and tonalities.  N-TRIDELAY tries to optimize this workflow and offers you a handy set of additional tools so that you can perfectly mix and blend your crazy tonal delay with the original signal. 

FEATURES: 

D TIME: This lets you change the delay's time. When a delay gets really fast it becomes tonal. Tonal delays can sound very underwhelming when done in a single iteration. Combining the three different delays allows for completely different timbres and tones so it is highly recommended to play with all three delay times. Note that When D1 PING PONG is enabled, the delay time for D1 will change its behavior. Higher times are recommended for D1 when ping pong is enabled. 

DELAY FEED: This lets you dial in the amount of feedback for all three delays. You can use a low feedback amount to create stereo width in a sound if D1 PING PONG is enabled but you can also create interesting and unique timbres and tonal tails for any sound if you have higher feedback values. 

D1 PING PONG: This enables the ping pong mode for Delay 1. This is enabled by default for a smoother more spaced blend with the original signal. Note that the tonal behavior for Delay 1 will change when D1 PING PONG is enabled! If enabled, higher time values for D1 are recommended. 

SC COMP: This is where N-TRIDELAY further helps you blend your tonal delay with the original signal. SC COMP is a built-in sidechain compressor which reduces the volume of the tonal delay when the input signal is playing. This can help clean up the input signal and only add the tonal delay when the sound is past its loudest volume. This in combination with high feedback values can result in very dynamic sounding tonal tails. 

FILTER FREQ: Due to the way N-TRIDELAY blends tons of harmonics on top of each other, a bandpass filter helps to focus on the tonal frequency regions that are of interest. This helps transients and  other delicate parts of the input signal to not be as affected by N-TRIDELAY when being mixed and blended. You can also automate FILTER FREQS for some really cool experimental results. Generally a lower frequency value between 500hz-1600hz is recommended to really benefit from the exotic timbres N-TRIDELAY can create. 

MIX: This lets you mix the N-TRIDELAY parallel delay chain with the original signal. The blend here is additive, which means that the input signal does not get reduced in volume when the mix is being increased. Automating this setting can also help clean up the blending stage!