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I AM HEATHCLIFF!

▶️ Sources:

📍 https://en.wikipedia.org/wiki/Maria_Edgeworth

📍 https://en.wikipedia.org/wiki/Ourika

📍 https://www.liverpoolmuseums.org.uk/history-of-slavery/europe

📍 Empire of Cotton: A Global History By Sven Beckert

📍Wuthering Heights and the Liverpool Slave Trade| https://www.jstor.org/stable/30030265

📍 "Marks of Race": G---y Figures and Eccentric Femininity in Nineteenth-Century Women's Writing | https://www.jstor.org/stable/3828863

📍 “IMAGES OF BLACKNESS IN THE WORKS OF CHARLOTTE AND EMILY BRONTË” | https://www.jstor.org/stable/44325077 

📍 "Heathcliff is Me!": Wuthering Heights and the Question of Likeness | https://www.jstor.org/stable/3044981

 

▶️ Other Wuthering Heights Reading:

📍 Ethical Engagements over Time: Reading and Rereading "David Copperfield" and "Wuthering Heights" | https://www.jstor.org/stable/20107353 

📍 "My name was Isabella Linton": Coverture, Domestic Violence, and Mrs. Heathcliff's Narrative in Wuthering Heights | https://www.jstor.org/stable/10.1525/ncl.2009.64.3.347

📍 Feminist criticism of "Wuthering Heights" | https://www.jstor.org/stable/41555645 

📍Traversing the Atlantic: From Brontë's "Wuthering Heights" to Condé's "La Migration des cœurs" | https://www.jstor.org/stable/40986192

📍 The Villain in Wuthering Heights | https://www.jstor.org/stable/3044379

📍 "Abroad and at Home": Sexual Ambiguity, Miscegenation, and Colonial Boundaries in Edgeworth's Belinda | https://www.jstor.org/stable/463091

📍 Juba's "Black Face" / Lady Delacour's "Mask": Plotting Domesticity in Maria Edgeworth's "Belinda" | https://www.jstor.org/stable/23365026

📍 @pbsstoried | The Byronic Hero: Isn’t it Byronic? (Feat. Princess Weekes) | It’s Lit | https://youtu.be/t4wNZDIH8d8?si=8rBmHrOZ-oi3OlHp

📍 @florida.florian

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Casting Heathcliff

I am Heathcliff. Not Jacob Elordi. Sources: https://en.wikipedia.org/wiki/Maria_Edgeworth https://en.wikipedia.org/wiki/Ourika https://www.jstor.org/stable/30030265 https://www.jstor.org/stable/3828863 https://www.jstor.org/stable/44325077 “IMAGES OF BLACKNESS IN THE WORKS OF CHARLOTTE AND EMILY BRONTË” https://www.liverpoolmuseums.org.uk/history-of-slavery/europe https://www.jstor.org/stable/3044981 Just Other Wuthering Heights Reading: https://www.jstor.org/stable/20107353 “Ethical Engagements over Time: Reading and Rereading "David Copperfield" and "Wuthering Heights”” https://www.jstor.org/stable/10.1525/ncl.2009.64.3.347 “**"My name  was Isabella Linton": Coverture, Domestic Violence, and Mrs. Heathcliff's Narrative in Wuthering Heights’** https://www.jstor.org/stable/41555645 “**Feminist criticism of "Wuthering Heights"”** https://www.jstor.org/stable/40986192 “Traversing the Atlantic: From Brontë's "Wuthering Heights" to Condé's "La Migration des cœurs”” https://www.jstor.org/stable/3044379 “**The Villain in Wuthering Heights”** https://www.jstor.org/stable/463091 https://www.jstor.org/stable/23365026 https://www.youtube.com/watch?v=t4wNZDIH8d8&list=PL1mtdjDVOoOor6Ihzmr1m6C0SpfMB-0tH&index=14&pp=iAQB https://www.youtube.com/@florida.florian?app=desktop Empire of Cotton: A GLOBAL HISTORY By Sven Beckert

Comments

Grace Thomas

This topic being covered by you feels very bespoke to my needs 😆 I was just telling my partner that WH is one of my favourite books but i am yet to see an adaptation that I like especially with the casting of Heathcliff

Alice LWatson

How could someone listen to one of your video's and NOT think you know a lot of shit about film/media and literary sources.

CassieWasRight

Maybe this is just a paranoid reading poisoned by the fact that Trump just got elected, but I do also wonder if the reason we get a Jacob Elordi rather than a Romani or Black Heathcliff is because Hollywood directors are scared to cast non-white actors as characters that have traditionally played by white actors. Like I would not be surprised to find that white directors want really badly to avoid the backlash that Disney got when they cast Halle Bailey play Ariel in the Little Mermaid. I hope that producers, directors, and casting agents will be brave though, when it's done well non-traditional race-conscious casting can add so much to a story.