Home Creators Posts Import Register Favorites Logout

Content

[Pictured: The Vanderbilt Mansion, Victorian Era castle on the Hudson River]

This is a discussion thread to post quotes and feelings and thoughts on the first part of Lila: An Inquiry Into Morals! I'll be responding to most comments.

A lot of ground is covered. Anthropology, Native Americans, Victorian morality, hot stoves, platypuses, metaphysics, a recap of the first book's main points, andA Brand New Plot!!!

[NOTE: I initially estimated that our Week 1 reading should be chapters 1-9. I think I made a mistake. Ch. 9 introduces some new ideas that I thought would be a good note to end on, but I feel I simply underestimated the wealth of the text from Ch. 1-8. It would be much better in my opinion to focus on the fresh questions/conflicts and the new anthropology lens, finishing out with the recap/expansion on Quality that happens in chapter 8. So I changed the schedule to reflect that, because trust me we'll have plenty of time to talk about the new Quality concepts as we press on.]

I'm focusing on the philosophy in my excerpts but have plenty of notes on the story/prose, so fire away in any direction!! 

Let's get into it!

---------------

(Using the page numbers from the pdf digitized by the Internet Archive in 2010 for easy access for everyone)

These were the underdogs, the outsiders, the pariahs, the sinners of his system. But the reason he was so concerned about them was that he felt the quality and strength of his entire system of organization depended on how he treated them. If he treated the pariahs well he would have a good system. If he treated them badly he would have a weak one. They could not be allowed to destroy all efforts at organization but he couldn't allow himself to forget them either. They just stood there, accusing, and he had to listen. (p. 26)

"So that's why I'm not objective about Indians," he said. "I believe in them and they believe in me and that makes all the difference." (p.32)

[The Entire Ten Bears Speech at the Medicine Lodge Council of 1867. Every time I read this speech I have to read it about 5 times in a row. It's just that beautifully/perfectly spoken.]

That idea that anthropology has no values Phaedrus marked down in his mind as the "spot." ...No values, huh? No Quality? This was the point of focus where he could begin an attack. (p.54)

Data without generalization is just gossip. (p. 55)

Metaphysics is what Aristotle called the First Philosophy. It's a collection of the most general statements of a hierarchical structure of thought... It asks such questions as, "Are the objects we perceive real or illusory?' Does the external world exist apart from our consciousness of it? Is reality ultimately reducible to a single underlying substance? If so, is it essentially spiritual or material?' Is the universe intelligible and orderly or incomprehensible and chaotic?" (p. 62)

Metaphysics is not reality. Metaphysics is names about reality. Metaphysics is a restaurant where they give you a thirty-thousand page menu and no food. (p. 63)

...a ruthless, doctrinaire avoidance of degeneracy is a degeneracy of another sort. That's the degeneracy fanatics are made of... Getting drunk and picking up bar-ladies and writing metaphysics is a part of life. (p. 65)

Any person of any philosophic persuasion who sits on a hot stove will verify without any intellectual argument whatsoever that he is in an undeniably low-quality situation: that the value of his predicament is negative... Later the person may generate some oaths to describe this low value, but the value will always come first, the oaths second... The value is between the stove and the oaths. Between the subject and the object lies the value. This value is more immediate, more directly sensed than any "self" or any "object" to which it might be later assigned. It is more real than the stove. (p. 66)

[Rigel's entire speech at Phaedrus over breakfast about how Zen & The Art of Motorcycle Maintenance was bullshit. Especially with the addition of the sincere advice about his isolationism and poor social skills tacked on at the end. Love it.] (I think this entire scene is very excellently written.)

Once you become a celebrity it satisfies some people to try to tear you down, and there's not much you can do about it. (p. 86)

He remembered elderly Victorians who had been nice to him as a child. It was a niceness that set him on edge. They were trying to improve him. It was expected that he would benefit from their attention. (p. 95)

Most empiricists deny the validity of any knowledge gained through imagination, authority, tradition, or purely theoretical reasoning. They regard fields such as art, morality, religion, and metaphysics as unverifiable. The Metaphysics of Quality varies from this by saying that the values of art and morality and even religious mysticism are verifiable, and that in the past they have been excluded for metaphysical reasons, not empirical reasons. They have been excluded because of the metaphysical assumption that all the universe is composed of subjects and objects and anything that can't be classified as a subject or an object isn't real. There is no empirical evidence for this assumption at all. It is just an assumption. (p. 99)

The Metaphysics of Quality can explain subject-object relationships beautifully but, as Phaedrus had seen in anthropology, a subject-object metaphysics can't explain values worth a damn. It has always been a mess of unconvincing psychological gibberish when it tries to explain values. (p. 100)

This problem of trying to describe value in terms of substance has been the problem of a smaller container trying to contain a larger one. Value is not a subspecies of substance. Substance is a subspecies of value. When you reverse the containment process and define substance in terms of value the mystery disappears: substance is a "stable pattern of inorganic values." The problem then disappears. The world of objects and the world of values is unified. (p. 100)

[The Platypus bit. All of it. You better remember it if you've read it.]

In the Metaphysics of Quality "causation" is a metaphysical term that can be replaced by "value." To say that "A causes B" or to say that "B values precondition A" is to say the same thing. The difference is one of words only. Instead of saying "A magnet causes iron fillings to move toward it," you can say "Iron fillings value movement toward a magnet... The only difference between causation and value is that the word "cause" implies absolute certainty whereas the implied meaning of "value" is one of preference. (p. 104)

Phaedrus saw that the "value" which directed subatomic particles is not identical with the "value" a human being gives to a painting. But he saw that the two are cousins, and that the exact relationship between them can be defined with great precision. Once this definition is complete a huge integration of the humanities and sciences appears in which platypi fall by the hundreds. Thousands. (p. 105)

Once a thief is caught a whole string of crimes is often solved. <3 (p. 106)

---------------

Now please oh please provide your oh so valuable thoughts and feelings down below, like paintings in a gallery. No single absolute truth in mind, just many valid excellences for different moments.

Files

Comments

BrEaNs

Chp 2. - The notecard thing is interesting on multiple levels. It's one of Pirsig's patented "I'm describing the narrative's present and also why the book is organized this way" moments. I have mixed feelings about the Dunesberry section, so it's kinda fun to know that the whole section was just something Pirsig got stuck on and then HAD to inclue in the book. The book really started to feel coherent for me in the second book club section, and this provided some insight into how difficult it was to write the start of this book. Chp 3-4. - I really like Dunesberry from what I've heard of him. Phaedrus doesn't seem to have the needed grounding to really tackle his theory about Indians. Dunesberry approached as a friend, but Phaedrus only got some level of personal experience before trying to come up with a massive theory about entire groups of people he is mostly isolated from. On the one hand, as a member of CJ's growing horde of science ex-pats, I really enjoy hearing objectivity get taken down a peg. The image of Franz Boas STEM-bro-ing anthropology off a cliff really pisses me of. However, critiquing an entire academic field requires more grounding in that field that it feels like Phaedrus has. The entire experience of reading about Phaedrus's theories about Indians was out of his depth while perhaps being onto something. I imagine a more refined version of what Phaedrus is saying is out there that I could more readily get behind. "One often hears 'frontier values' spoken of as though they came from the rocs, the rivers, or the trees of the frontier but trees, rocks, and rivers do not by themselves confer social values. They've got trees, rocks, and rivers in Europe" - Robin Wall Kimmerer would beg to differ! I notice that Phaedrus is lumping all rivers, trees, and rocks together. He's ignoring the geographical differences between different places, and he's denying personhood to natural features. Per Braiding Sweetgrass, first nations people of the Americas seem to have their culture radically shaped by thier relationship with their environments. Even if a river "objectively" doesn't have a soul (or if it's purely a inorganic quality and not a social quality or whatever), they can still convey values (I doubt Pirsig/Phaedrus would disagree). So, saying that the values came from the people (as opposed to both the people and the land symbiotically) seems to be a mistake in my opinion. Chp 5. - Always enjoy some logical positivism slander! Chp 6. - Always fun to hear some Phaedrus slander! Chp 8. "One can then examine intellectual realities the same way he examines paintings in an art gallery, not with an effort to find out which one is the 'real' painting, but simply to enjoy and keep those that are of value." - Reminds me of the "art = striving game" thing from that Nguyen paper. We pursue artistic meaning in order to generate the value in pursuit, not to "solve" an artwork. "Subject-object metaphysics is characterized by herds of huge, dominating, monster platypi." - On replacing causation with value: There's something so natural about this. For instance, "a helium balloon values floating upward" is more emotionally correct and understandable than "helium is less dense than air which causes it to exert an upward force on the balloon." We can also imagine helium's "go up" value outweighing gravity's "go down" value, which perfectly describes the mathematics of different forces interacting.

Chandler Sterling

Welcome to 2024, I'm back on my time traveling through book club bullshit. What is there to say about these first 8 chapters that hasn't already been said by people from before the time this was known as the Kill the Internet book club? Hopefully something, or I'm about to waste an hour of my life pulling some thoughts together. And boy are there some thoughts. Firstly, it's nice that Phaedrus is still with us. I was nervous what a sequel to ZMM would look like, and so far this has been an interesting direction to go, but it has yet to feel too unfaithful to what came before. It's clear that time has passed, and with it, perspectives have been gained. This bit feels like it takes a good effort at ironing out some criticisms while bursting forward into the novel (which I can always appreciate). This is a Sequel with the strongest capital S I've read in a while. If you have not partaken of the Quality conversation before these chapters, you're most likely going to be in too deep, but that seems fair? Pirsig is respecting his audience as people who don't need much rehashing, and what is reviewed is done so from the angle of providing a defense, so it still has the benefit of providing another facet of the same idea. The biggest example I think I have of what I'm saying here is that instead of retreading a conversation on what a priori means, he says, "There is Lila, this single private person who slept beside him now, who was born and now lived and tossed in her dreams and will soon enough die and then there is someone else - call her *lila* - who is immortal, who inhabits Lila for a while and then moves on." (pg. 6 [from the physical copy]) That immortal lila is the a priori ideal of what Lila represented to him the night before. But now she is individual again, and he is having to contend with what that means. As far as defense goes, I think we've all noticed the rhetorical device that is the Rigel-centric chapter 6. It's a succinct representation of the arguments against ZMM, and I think it works really well in outlining some intentional and accidental faults of that book. Not everyone "gets" it according to Pirsig himself, so I don't think it should be lost on a reader how often Rigel emphasizes that he doesn't know what he's feeling, just that his outburst made it better. He is uncritical of himself, and it parallels beautifully with Phaedrus' inability to place why Rigel had the outburst. I'm curious if later sections hold an answer, and even more curious if I'll be satisfied. On to the titular character! Lila is somewhat lacking a major presence after our initial introduction, but it's a testament to the way she literally bursts into Phaedrus' life that I constantly wanted to get back to what she's up to. I've never read a book that managed to encapsulate such a romcom moment of everything in the background fading out like Phaedrus and Lila dancing did. The repetition of DO A LITTLE DANCE/MAKE A LITTLE LOVE/GET DOWN TONIGHT/GET DOWN TONIGHT absolutely tees it up. And then they're on the dance floor, and he's describing the moment, and suddenly the music comes in, but now it's - "Do a little dance... Make a little love... Get down tonight... Get down tonight..." (pg. 19) Literally on the edge of my seat. Loneliness. That's where Pirsig keeps returning. Self-imposed out of fear that it's secretly not. Phaedrus doesn't fit in. He's weird. Do you see the hat on his head? That's WEIRD. Normal people don't do that (Not sure if that's the Riverdale quote, but I certainly am not looking it up. Roast me if you must.) Rigel confirms for his sake and ours that this is not Good for a man of Quality. How can he know so much about such a foundational part of life and still be alone? If knowing what Quality is doesn't help you achieve it, what's the point? I'm hoping (and fully expecting, Pirsig is a good writer) that forced company with Lila is going to shed some light on answers. The deep need to keep Dusenberry in the book out of a sense of companionship? Duty? Nostalgia? was very touching. And it still seems very important to the foundation of this book, regardless of whether Phaedrus thinks it's the central point anymore. Some scattered thoughts tied loosely to quotes for relevance: "But maybe it was a good thing that he had lost it because now, in the reconstruction of it, all sorts of new material was flooding in," (pg. 25) I've been playing Alan Wake 2 non-stop, and something about this honest representation of creative inspiration and the frantic way you sometimes have to expunge it all in order to keep it flowing has me thinking of The Spiral from that game. No spoilers (not that I even believe in those, but it's been conveyed to me that it's a social faux pas regardless of my "thoughts"), but I'm pretty sure you either get it or you don't. Maybe that's too reductive though, I dunno. Play video games if you can, they're good sometimes. "Some of the slips were actually about this topic: random access and Quality. The two are closely related." (pg. 26) I'm on the verge of having Things to say about this. I think it's got something to say about how I felt about Amusing Ourselves to Death funnily enough. The And Now This... argument didn't hold weight for me, and I'm going to try to unravel that more in later sections assuming this topic makes a return (it better, this is terrible foreshadowing otherwise). "The problem wasn't that it wasn't true. The problem was that nobody was interested." (pg. 65) I feel the narrator from ZMM slipping back into the forefront in this moment. The concern with what everyone thinks of him, and how he is being perceived seems to lay heavy on Phaedrus' mind once more. "There was another part that kept saying, 'Ahh, do it anyway. It's interesting.'" (pg. 74) I think this is just really funny. Also, just a small thing, and I might be misunderstanding it, but when Rigel is revealing Lila's Dark Past, he says, "And I won't mention his name, Bill, or you'd recognize it." (pg. 85) and hardly a paragraph later, he says ,"But knowing the bank's president I'm sure he put it on Jim's record," Rigel is so fired up he can't keep himself on track! Bye!

Just Connor

it’s good to be here again in the midst of Quality and pirsig. my final book club book to complete my collection. so far i’m loving this book, and it’s nice to get more on what values and the take down of logical positivism. the platypus section has got be my favorite, it felt so satisfying seeing all these depressing philosophical problems be taken down so swiftly. i’m glad it still has the vibes from zmm although the story is definitely lacking in comparison. i shared worries that others had of this sequel but the worries have been laid to rest. anyways i’m so excited for this book, it feels right to end with pirsig, as zmm got me very inspired to complete the kti catalog.

D.S Films

This, so far, reads to be a very dense sequel. Taking the story and themes to places ZMM would never go. Sort of like a mature older brother. The philosophy feels more fleshed out and sure of itself, and as a result I'm sure there are a lot of errors in there, but that is the price you have to pay for life-changing thought bringing us ever closer to truth and quality I suppose. Anything less would be chickening out. I really appreciate that it is adressing questions arisn from ZMM and probably attempting to correct some of his own doubts about it too, and the way this is weaved into the narrative is very clever. Rigel and the Victorian Mansions feel so vivid, I don't think they would know what to do with the platypus. I'm finding that there is a lot more of these ideas that I understand and make me jump with up and down with excitement in this book, but also a lot more sections that I barely understand and wish to more, such as that final chapter 8 for instance. Hopefully, I will find these ideas start to fit together like pieces in a jigsaw puzzle.

Kylie

I enjoyed this first part, low key thought about buying a boat one day. the tranquility of the water, music, books, and bioluminescent algae have been in my dreams lately, paired with crackling lightning and seasickness to keep me humble. how perfect for the lawyer to have a stuffy, legalistic view on morality, and to delight in cutting Pirsig’s ideas down to law-breaking and sex. how wonderful for someone who resents new authority, who feels Pirsig’s book like a thumb pressing down on his mind, to insist Pirsig is putting on aires and must bend to the authority the lawyer wields, society’s authority. he exercises his own force with moral stuffiness, but brings up good points Pirsig must contend with in the process. He’s offloaded his moral responsibility onto society and wiped his hands of it. If you refuse to bend, he becomes angry for reasons he can’t quite express. Victorian era snobbery was beautifully, stuffily described. The contrast was stark with the next generation of the roaring 20s and with the Indigenous People discussion even more so, although, i didn’t quite buy Pirsig’s view of the affair. “How could an act of love, that does no injury to anyone, be evil.” Yes, the man was punished by his neighbors/friends/wife for his affair to an absurd degree in the case of his career, but Pirsig took his argument in a direction I couldn’t get behind. when you’re married, you stop making decisions that are best for you, and instead make decisions that are best for your marriage unit. I’m not talking about neglecting yourself here, or enslaving yourself to your partner, but you now have a uniting value(?) or banner you’re placing yourself and your partner under. you’ve made a decision to tackle life together, and you can’t behave as if you’re going at life alone and claim you’re not doing anything wrong. he wasn’t just “dishonoring his wife,” he was injuring this third “marriage” thing. The talk about the values of the Native Americans took me to the edge of a rabbit hole i’m cautiously barreling my way down. Out of curiosity I searched for the child genius referenced and found his manuscript ($0.99 on the kindle if you’re curious). Let me tell you it’s wild. I’m not that far into it, but it talks about Atlantis and the myth of the 10 kings who were divine, though with each subsequent generation the divinity was decreased. I plan to pick it back up if I can get through the 20 books on my currently reading goodreads profile. I also picked up a copy of Sioux mythology and essays by Zitkala-ša. Her transcribed myths are heavily bent toward hospitality, generosity, and being what you are meant to be rather than focusing your envy on others. it’s a gripping mythology. Many Native American tribes are currently fighting to reinstate religious and non-religious rituals from the Apache woman-coming-of-age ceremony, to the protection and hunting of Peyote (which is now an endangered plant). I encourage you psychonauts out there to steer clear of Peyote, just as a form of respect for what they’re trying to accomplish. These thoughts were largely on the narrative, I haven’t yet touched his ideas on quality and values, perhaps because despite my reading and re-skimming of the material, I still need to mull the implications over. Values are not located in a lower level of the brain. A purely scientific empiric look at the world is self-evidently not how one should move forward. Values seem to bob on the surface of this new science and Pirsig wants me to bob for them. I’m happy to lay some platypus to rest (metaphorically) but until i’ve gone further i’ll keep my duck beavers around my feet, thank you.

Sam Jay

Broadly categorized things I found interesting: ---The Necessity of Space (something I’ve been thinking about lately) “Everyone was actually having the time of their lives. The thing that was making them so happy was the space.” (page 8) “There’s an old analogy to a cup of tea. If you want to drink new tea you have to get rid of the old tea that’s in your cup, otherwise your cup just overflows and you get a wet mess. Your head is like that cup. It has a limited capacity and if you want to learn something about the world you should keep your head empty in order to learn it. It’s very easy to spend your whole life swishing old tea around in your cup thinking it’s great stuff because you’ve never really tried anything new, because you could never get it in, because the old tuff prevented its entry because you were so sure the old stuff was so good, because you never really tried anything new… on and on in an endless circular pattern.” (p. 25) “One often hears ‘frontier values’ spoken as though they came from the rocks, the rivers, or the trees of the frontier, but trees, rocks, and rivers do not by themselves confer social values. They’ve got trees, rocks, and rivers in Europe.” (p. 52) I agree with the words as written, but I wonder if the values don’t come from the literal landscape features, but from the space between them. Thought still developing. The entire section about William James Sidis, pages 63-65. This feels like both an endorsement and a refutation of space. ---Pirsig Calling Himself TF Out “At this time there was no such thing as a Metaphysics of Quality and no plans for one. His book covered the subject of Quality. Any further discussion would be like a lawyer who, after swinging the jury in his favor, keeps on talking and talking until he finally swings them back the other way again.” (p.56) “The trouble was, this was only one part of himself talking. There was another part that kept saying, ‘Ahh, do it anyway, it’s interesting.’ This was the intellectual part that didn’t like undefined things, and telling it not to define Quality was like telling a fat man to stay out of the refrigerator, or an alcoholic to stay out of bars.” (p. 74) This bit also reminds me about the aesthetic engagement video, ie doing things for the sake of doing them. “’I hope you will not take it as a personal insult but rather as something to think about: I’ve noticed last night and in Oswego that you’re one of the most isolated individuals I have ever seen. I think you will always be that way unless by some possibility you find your way to understanding and integrating yourself with the values of the community around you. Other people count. You should understand that.’” (p. 92) I have issues with Pirsig introducing other points of view from a philosophical standpoint (becomes more apparent later in the book, that Phaedrus is inserting more Plato’s Phaedrus’, more discussion on that to come), but my gosh if Rigel isn’t a delight from a literary standpoint. This smackdown in particular takes the words out of my mouth in criticizing Pirsig’s character in ZMM. ---Scientific/Anthropological Thoughts from a Former Scientist with a Biological Anthropology Degree I feel like he pretty much nailed the critique of cultural anthropology. I studied an adjacent subject in undergrad, and I avoided taking any cultural classes for reasons I couldn’t articulate at the time. I read this and suddenly understood why. It’s less-than-helpful quantification, more proliferate data generation like we discussed in the last book. It’s like counting the number of “E’s” in a book to see if the number correlates to a qualitative trend, without actually reading the book. “Out West among the Indians it’s a standing joke that the chief is the poorest man in the tribe. Every time somebody needs something he’s the one they go to, and by the Indian code, ‘the generosity of the frontier,’ he has to help them.” (p. 98) Fun fact time- this an actual far-reaching thing! This is one of many “social leveling mechanisms” that promoted the development of smaller egalitarian societies throughout human history. Another example that I like is the concept of “punching up” in comedy, and that people of higher social status by design open themselves up to ridicule. Basically, the majority preventing those in power from letting their status go to their head, and/or from amassing too much of it. If anyone’s interested in this stuff, look up Christopher Boehm, particularly his book “Hierarchy in the forest: The evolution of egalitarian behavior.” I also really loved the platypus discussion, both as a piece of zoological history and an illustrative name for the puzzle’s he’s talking about. Made me laugh: “Zoologists, to cover up their problem, had to invent a patch. They created a new order, monotremata, that includes the platypus, the spiny anteater, and that’s it. This is like a nation consisting of two people.” (p. 117) ---Grab Bag “Any person of any philosophical persuasion who sits on a hot stove will verify without any intellectual argument whatsoever that he is in an undeniably low-quality situation: that the value of his predicament is negative. This low quality is not just a vague, wooly-headed, crypto-religious, metaphysical abstraction. It is an experience.” (p. 75) “That period ended when, after having defined for all time what “Truth” and “Virtue” and “Quality” are, the Victorians and their Edwardian successors sent an entire generation of children into the trenches of World War I on behalf of those ideals. And murdered them. For nothing. That was the natural consequence of Victorian moral egotism.” (p. 110)

Beck

As Kylie and Sam already said, the Richard Rigel section was just a delight. It felt like a twist on a Platonic dialogue where, instead of Socrates just dunking on a poor Richard Rigel, Rigel turns the questions back on the author and dunks on him back. Ok. The big division in Chapter 9: static quality and Dynamic Quality. The priesthood vs. the shaman. It is a very interesting passage. I struggle to come up with anything unique to say about it because I'm just processing it altogether. Dynamic Quality out at the forefront of reality then retroactively shaping static quality. Up until now, his definition basically of 'DQ' is just how I would have described Quality in general. So I want him to expound more on what static quality means, and how he conceptualizes it. Because from ZAM, I feel like I have a decent grasp on this experiential element of DQ. But I don't have as firm of a grasp on what static quality is, and how to differentiate it from just pure outdated tradition or restrictive social norms. Is there a difference...? Is it just the job of DQ to alter static quality when it becomes less useful? Also, from the choice to capitalize Dynamic Quality yet keep static quality undercase, it's very clear Pirsig has a preference here. So can DQ/sq really be considered a division of the Quality metaphysic...? or is it just like... DQ is Quality and sq is what happens as a result? DQ is cause sq is effect? oh god and I know he said some shit about cause and effect in here as well. Like in this passage on page 133 Pirsig literally portrays them as being competing or antagonistic forces: sq is the ENEMY of DQ: "Dynamic Quality is the pre-intellectual cutting edge of reality, the source of all things, completely simple and always new... Its only perceived good is freedom and its only perceived evil is static quality itself--any pattern of one-sided fixed values that tries to contain and kill the ongoing free force of life. Static quality, the moral force of the priests, emerges in the wake of Dynamic Quality. It is old and complex. It always contains a component of memory. Good is conformity to an established pattern of fixed values and value objects. Justice and law are identical... Its values don't change by themselves. Unless they are altered by Dynamic Quality they say the same thing year after year." Is this true or useful...???? hmmmmmmm...... the example of listening to a song and having a DQ experience, then it gets old, and its 'goodness' is a matter of sq that is still real but less visceral and impactful. Is this true??? "Dynamic Quality comes as a sort of surprise... static quality is what you expect." p.135 Ok maybe this is just a weak example but, like, this isn't how art works, right? Enjoyment of music increasing over time, etc. Or being able to appreciate a movie more AFTER you've gone through the 'surprising' first watch and you are able to appreciate a story in its entirety, not merely relying on shock factor. I feel like this is somehow demeaning to DQ and to art. Because DQ and art are both more than 'surprise' or MERELY upsetting your expectations... right? Then again, the example of the man going home to his family and feeling sad and empty inside hits, and is something that feels immediately true. Yes, we've all experienced when we settle into routines and all our days feel the same and everything loses its meaning except for those Dynamic experiences that shake you out of your static bubble. But again, what exactly IS the value and meaning of those static elements? Because having a wife and children and a home to return to, that's not nothing, and from like... an evolutionary or biological standpoint it's everything, so how do we conceptualize this? Is it just that we all have to go around reinventing ourselves constantly, chasing new experiences? Or is there something deeper to static quality we just don't know how to tap into, that doesn't satisfy us in the same immediate way. Is it a given that the wife and kids and suburban house is always going to make you feel sad, or is that itself a result of static patterns of value in our culture that tell us that our lives SHOULD be an exciting rollercoaster of dopamine at every turn? obviously there has to be an interaction or balance between DQ and sq. I wonder what that balance or interaction looks like.

Adison

“Getting drunk and picking up bar-ladies and writing metaphysics is a part of life.” so many interesting things happening in part 1! so far i’ve been very drawn to this idea that value is an experience, that it is something you physically feel. some quotes “There’s this pseudo-science myth that when you’re "objective" you just disappear from the face of the earth and see everything undistorted, as it really is, like God from heaven. But that’s rubbish. When a person’s objective his attitude is remote. He gets a sort of stony, distant look on his face.” (chapter 3) “This low quality is not just a vague, woolly-headed, crypto-religious, metaphysical abstraction. It is an experience. It is not a judgment about an experience. It is not a description of experience. The value itself is an experience.” (chapter 5) “Should reality be something that only a handful of the world’s most advanced physicists understand? One would expect at least a majority of people to understand it. Should reality be expressible only in symbols that require university-level mathematics to manipulate? Should it be something that changes from year to year as new scientific theories are formulated? Should it be something about which different schools of physics can quarrel for years with no firm resolution on either side? If this is so then how is it fair to imprison a person in a mental hospital for life with no trial and no jury and no parole for failing to understand reality?” (chapter 8) “Reality, which is value, is understood by every infant. It is a universal starting place of experience that everyone is confronted with all the time.” (chapter 8) as a deeply romantic thinker, ive been loving the continued scathing critiques of traditional logic. im very drawn to an understanding of the world that places experience or feeling as a primary driver of logic. since reading zmm ive been thinking a lot about the physical experience of quality and now value, and how the physical experience is such an integral part of understand reality. we aren’t floating brains, we are bodies. and it seems to me that the body is a very key player in the experience of value. how? im not so sure yet but im interested to see how this line of thinking evolves as we go on.

Sammy Langit

[doing some creative editing so maybe the comment doesn't get deleted lol] To take a page out of Pirsig’s book / trays of flashcards, I’m finding it easiest to organize thoughts on this book so far by topic, so here’s quotes by section. Lila herself: “If Phaedrus answered that Lila had Quality then he would be saying sex was Quality which was not right. But if he said Lila had no Quality the next question was, ‘Why were you sleeping with her?’ … No matter what you did you were guilty and should be ashamed of yourself.” “All the tricks and games and lines and promises to get them into bed with you and you work so hard at it and nothing happens. And then someone like this comes along and you don’t try much of anything at all and then she’s the one you wake up next to.” Sometimes Pirsig writes about Lila in a way that reminds me of how the camera views characters in two of my favorite movies, Barbarella and Gentlemen Prefer Blondes. For both Jane Fonda and Marilyn Monroe’s characters respectively, the plot is kind of a series of contrivances to set them up for [wholesome games of softball] (really pitching these movies well, I know). I still stan Barbarella in her movie and Lorelai Lee in hers because they just kind of go about their business despite the camera following them around; Barbarella is either unaware of how she’s viewed or doesn’t care because she has a space mission to complete, and Lorelai absolutely knows how she’s viewed and fully uses that to succeed. In real life, I’ve found that becoming aware of the ‘camera’ like this can shame people into shrinking or hiding themselves, so it’s kind of refreshing and great to see characters who know how they’re perceived and just boldly persist anyway. We kind of get hints later in the book that Lila is like this; she’s perceptive enough to guess the stage of Pirsig’s divorce by how little food he has, so I’m guessing she knows how people think of her. However, she’s still out here [enjoying experiences with others], overstaying her welcome, and messing up Pirsig’s flashcards, so I find myself again charmed by a character with this unshakeable [hot] confidence. Lila Blewitt is an icon for the girls and the gays, and my Spotify playlist for her will have a lot of Kim Petras on it. American culture: “Movies were rituals, almost religious rituals, for transmitting the cultural values of America to the young and reconfirming them in the old.” “In a state like Minnesota or Wisconsin you can be poor and still feel some sense of dignity if you work hard and live fairly cleanly and you keep your eye on the future. But here in New York it seemed as if when you’re poor you’re just poor. And that means you’re nobody… Every time he came this way he could feel the people getting more formal and impersonal and… crafty. Exploitative. European. And petty too, and ungenerous.” “So what you get is this tension, this business executives’ tension, where you’re the most relaxed, smiling, easy-going guy in the world–who is also absolutely killing himself to beat the competition and get ahead.” Nowhere in my experience have abstract values been more concretized than in seeing people around me react to the regional differences in the United States. If you take a Midwest person and introduce them to the Northeast or Pacific coast, they will likely get physically uncomfortable with the different cultural values. Likewise, if someone who’s had a very miserable life up until they move across the country, they were likely a bad value fit in their original region. I’m a Pacific Northwest person as far as I know, and so transplanting me to Arizona or Iowa or New York fills me with deep unease; I perceive these places as almost having Buffy-style He[ck]mouth energy when in reality they’re fine places but with different values installed. Likewise, Pirsig’s Midwest-ness comes out in his views on hard work, community, religion to an extent, and [human enjoyment], and so of course he’s put off by the East Coast. This is of course pretty limited as it’s solely an American perspective; if Pirsig for example traveled around India much while he was studying there it would be interesting to see if he observed similar regional differences. However, it is kind of nice that Pirsig can put his perspective on American culture to words in ways that feel so accurate. Specifically the insights about movies and about tension between classism and egalitarianism really describe so much of pop culture and politics and social interaction in the U.S. Science: “That’s how you know when you’re within a walled city, Phaedrus thought. The jargon. They’ve cut themselves off from the rest of the world and are speaking a jargon only they can really understand.” “You can always substitute ‘B values precondition A’ for ‘A causes B’ without changing any facts of science at all.” As someone who did the college equivalent of getting hit by a physics car off a building made of biology and landing on a statistics degree, the second assertion here absolutely needles me. The whole point of applied statistics in scientific papers is to do enough math to show how it’s likely that A causes B, but I have no idea how that would work in reverse. Like instead of saying “Due to a p-value less than alpha = 0.05, we can reject the null hypothesis and state with confidence that A has some effect on B” would Pirsig science papers say “Due to a p-value less than alpha = 0.05, we can say that B values A more than it values any other letter”??? Do bacteria with certain genes value not getting killed by antibiotics more than other bacteria value that? Do starfish die in climate-changed oceans because they value cold water more than warm water? Does mushroom plastic value staying structurally whole in a similar way to petroleum-based plastic, and so it chooses to degrade at the same rate? There’s probably a way to make this make sense, probably in a way that takes the perspective away from such literal examples, but it seems really off in the non-abstract. Then again, Pirsig warns against getting caught up in jargon, so maybe some of these ideas are meant to stay abstract. Looking forward to Ch 9-18! Hoping Lila continues her chaos in Pirsig’s boat and like drives it onto a sandbar or something idk

Natthew Lee

Hello! I read ZMM like four years ago, reread the whole thing over the last week to catch up for Lila. I read the threads! I’m still trying to get better at interpreting meaning in the large scope, but I have some small moments that sparked thoughts and reminded me of other things that I’ll share. I hope I’m not missing the forest for the trees. Page numbers for quotes from my print copy. The piles of note cards for the metaphysics he was developing seemed very symbolically charged? Most obviously to me, it could be plugged into how you should run a government. Keep the cards moving, look for faults, don’t let it get too static and rusty. You JUNK the minimum amount you can while still keeping the system unclogged, not everyone will be happy, sometimes you wish you JUNKed more, sometimes less, but that means it’s working. The UNASSIMILATED ideas pile really stuck out to me. I’ve always been insecure about how I interpret art. I worry that I don’t rely on my autonomic interpretation of art, and leaned too much on others’ aesthetic testimony to form my ideas. I think through my reading of ZMM over the last week, and going through the threads as well, I realized that I do have plenty of opinions and ideas as I read, I just don’t catch them. I have the thoughts and let them pass. The reason aesthetic testimony is so engaging to me is that other people have put into words many thoughts that I had in passing while reading the text. In the UNASSIMILATED pile are ideas where “normally your mind says to these ideas ‘Go away, I’m busy,’ but that attitude is deadly to quality.” (28) I realised over this last week of reading that I brush these ideas away in order to barrel through the text, and I should notice and “capture” them. “He found over and over that the JUNK pile is a working category. Most slips died there but some reincarnated, and some of these reincarnated slips were the most important ones he had.” (29) I work at a restaurant, as a bartender. This reminds me of something my boss at the restaurant once said a few months ago that stuck with me. I wrote it down: “My restaurant chefs and floor managers always criticize me when I rehire an employee who, several months earlier, as a result of doing something terrible, got fired. As someone who's fucked up badly many times, I believe that most people in life deserve a Second Chance. That's why I often rehire 'fired' employees.As it happens, the majority of these rehired employees are eventually refired for exhibiting the exact same behavior that got them fired in the first place. But when it works out, when a fired employee doesn’t exhibit the same qualities that got them fired initially, they often become such fantastic employees that I become ecstatic for having paid no fucking attention whatsoever to the ‘wisdom’ of not giving people second chances.” I also read a book earlier this year called the 48 Laws of Power. It’s a book on how to game interpersonal politics for your advantage. Kind of sociopathic. Law 2 in that book is “Never Put Too Much Trust in Friends, Learn How to Use Enemies”. The author says that a friend you trust can grow ungrateful and envious when needed for something serious, whereas an enemy defeated will be an amazing ally, as they will be in your debt and work to prove themself to you, will never be ungrateful and never taken for granted. Seemed to me like an important piece of wisdom to have been encountered in three very different sources. Rings true I think. As someone who grew up in the American West, in Colorado, around a lot of Indians, and now lives in New York City in the American Northeast: What was said about Indian and European cultures pulling American culture from two ends intuitively makes sense to me. “Thus, putting the two together, a thing that has no value does not exist” (114) Metaphysics makes my head hurt, because it’s articulating things that are such basic assumptions, it almost feels dumb to say them out loud in such detail. Like yeah, duh. But this entire section really really had me going. If something has no value, we have no reason to categorize it, and it does not exist. We just have one category of “air”, we don’t have different words for air that is higher in carbon dioxide, or lower in nitrogen, because making those cuts with Phædrus’ Knife wouldn’t add any more value than the word “Air” accomplishes for us. Medical diagnoses only exist for issues that impede our daily life. The value of a diagnosis comes from being able to identify what treatment will be necessary. If there is no effect on the Quality of your existence, then there is no value to a diagnosis. The DSM-5 is not an objective text, we don’t list every possible mental deviation there could be in the brain. The diagnoses were compiled based on which ones would be valuable to be able to identify in this present moment, so we can find value in treating them. “One doesn’t seek the absolute ‘truth’. One seeks instead the highest quality explanation of things with the knowledge that if the past is any guide to the future this explanation must be taken provisionally.; as useful until something better comes along.” (114). This sentence feels like the bedrock on which “We Are On The Side Of Art” is built. We are not on the side of Communism, we are not on the side of Capitalism, we are on the side of Quality, whichever tributary will get us there is the one we will sail. Almost Zero thoughts on the plot. I wish there was as much story happening as there was in the first one. Feels like hardly anything has happened with Lila yet. It added a lot of beauty and character to the first book, and it being more sparse now makes the philosophy drag more. Also Chris and John/Sylvie were way more interesting character hooks than the two sailor guys at the bar. Do not care about them at all. Looking forward to what goes on with Lila and Phædrus. Ok that’s all my thoughts. I feel like a lot of this section was just rephrasing concepts from ZMM. A lot of recapping of what Quality is and why it need not be defined. The last chapter felt like explaining Phædrus’ Knife in different words. Maybe it’s responding to criticism of the first book? Idk xoxo Natthew

annie liz

Back at it and excited! I had to take a breather after ZMM and some life stuff dragged me away so I’m still a bit behind, but I’m looking forward to eventually catching up by the end of the book. So, thoughts!   Right off the bat, the third-person perspective threw me off a bit. I feel like we got so intimately close with the narrator/Phædrus in ZMM that being put outside of him feels almost like… a wall has been put up? like we aren’t allowed all the way inside anymore because he put a degree of separation from his mind. I’m not sure. It feels weird. I’m sure I’ll get used to it.   “But the waking Lila, who never sleeps, had been watching him and he had been watching her for a long time.” I’ll be honest I have no clue what this means.   DOOO A LITTLE DAAANCE   His description of Lila and women.exe is bad. We all see it, we all cringed. It’s covered, it’s mutually understood. Anyways.   His entire slip process feels a lot like how I used to outline my essays lol. a million stranded thoughts, statements, and ideas collected in a doc or voice memos and eventually organized into something cohesive (or not cohesive). Sticky notes and color-coded chrome tab groups are my best friend. Regardless, I really like the non-stagnant quality (capitalization of the q notwithstanding) of the slips. Keep it moving, never throw it completely away, find patterns, create new patterns, never accept the first idea as final. The system feels exciting and dancing (do a little daaaaance) and non-linear. I might also just be a sucker for non-linear.   Re: the peyote. Loved when he brought up plains speaking and Woodie Guthrie. Such a unique figure in how clearly he protested while speaking a way that was “laconic, understated, very little tonal change, no change of expression. Yet there was a warmth beneath the surface that you couldn't point to the source.” (p. 39) I feel like there is a lot to be said about persuasive rhetoric and clarity and how those two intertwine and differentiate… that analysis could fill an entirely different book (Phædrus said as much himself when he said he originally thought this would be the centerpiece of his book before he moved on). Looking at class differences, cultural differences, and regional differences of speech, persuasion, clarity, honesty, and the value of different kinds of subtlety would be fascinating research.   “But the point of Phasdrus' thesis was that the REASON it came "naturally" and that audiences responded to it "naturally" was that the film reached into a root source of American feelings for what is good” (p. 43) Quality my love it’s wonderful to see you   I really appreciate Pirsig’s ragging on objectivity in academia. Not because I dislike objectivity; I think all of its classical structures are valuable and wonderful and vital to our understanding of the world around us. But if Quality (and Art) is the experience of the world, and our perceptions of it are on a seesaw between objectivity and subjectivity, then the role of so many topics in ACADEMICS–especially in the west­–are so aggressively thrown to one side that the seesaw is a vertical line. Empiricism is emperor but it doesn’t have to be. “First you say things our way and then we'll listen to you.” (p. 51) Those blasted Victorians lol. I’m not communicating exactly what I want to say here but I’m excited to talk about it. There’s this great book, Zen and the Art of Motorcycle Maintenance, that focuses on this a lot…   “Whacko science… That’s whacko” (p. 55)   “The problem wasn't that it wasn't true. The problem was that nobody was interested.” (P. 57) ouch!   The intense variety of study fields that Pirsig, and Quality, deals with is something that i think is really unique and appealing about his work. In ZMM he covered rhetoric, math, and the original philosophers; now in Lila, even in the first few chapters, we’re leaning more towards anthropology, cultural studies, and of course metaphysics. It’s so broad and that’s what makes it feel so vital. Quality is a permeative idea.   “Quality is indivisible, undefinable and unknowable in the sense that there is a knower and a known, but a metaphysics can be none of these things. A metaphysics must be divisible, definable, and knowable, or there isn't any metaphysics. Since a metaphysics is essentially a kind of dialectical definition and since Quality is essentially outside definition, this means that a "Metaphysics of Quality" is essentially a contradiction in terms, a logical absurdity.” (p. 64) oh baybee this book is gonna be so fucking fun.     Oh shit another perspective!!!! This is new! I like it! Roasted the hell out of him, get absolutely fucked! Rigel’s arguments come from a more laws/rules-based worldview of values and morality, but his reactions are very emotional and maybe not as clear and sophisticated as his argument would have you believe. Good dichotomy. What a fun narrative and philosophical foil to Phædrus. Very–for lack of a better word–meta. And a simple way to bring up and address opposing arguments, frustrations, and caveats. Phædrus didn’t any of his thoughts all that seriously, though   Since I started late, I’ll leave off on Chapter 9 until the next post. Thinking about things is cool and so are all of you.