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Stone house for #43! We're bringing back one of our favorite techniques: line and wash. Remember, line and wash is supposed to be messy, quick, and very loose. Once you get your pen sketch how you like it, let the color blocking wet into wet be super quick. You can always lift out colors that go astray and lift out colors we need for highlights later. After the wet into wet part, it's nice and slow building up all our textures and shadows. Even still, keep your strokes quick and light to continue that loose feeling until you're finished. I can't wait to see how you do with this one! Please let me know if you have any questions.

Paper: arches 140 lb cotton 9X12" paper that I've cut into 3X3" pieces, giving me 12 pieces per page.

Pen: micron 01 , archival ink pen - waterproof

Paint: For this project I am using a split primary palette- cad yellow deep, lemon yellow, cad red, perm. rose, ultramarine blue, cerulean, indigo and sap green. The colors I'm using today are - cad yellow, cad red, ultramarine blue, cerulean and sap green.

Brushes: round 4 - Princeton

Private youtube link to watch if you need captions or translation: https://youtu.be/DffFPatz0sc

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Comments

Kari

Yasssssssss! My fav.

Karen Drake

Can’t wait to get back to painting! This is so lovely

Audrey Addison

Hi Kristin, I love learning these techniques! You may have mentioned, but after a month of lifting I'm kind of wondering is the reason to lift when the paper is dry (after the first wash) to get a more precise lift - like with the windows, vs lifting when the paper is still wet to get a more general lift or to lighten certain areas/values - like clouds. Sometimes I find myself wanting to lift before the paper dries...watercolor always testing my patience! :)