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Welcome to “Chestnuts, Mushroom & Leaves” demonstration. This real-time recording shows the full painting process from start to finish. Below, you’ll find a materials list, a black-and-white outline, step-by-step photos, and the reference images. For convenience, I’ve included two outline versions: one for the full composition and one featuring just the central chestnut.

Please note: As with all my demos on Tier #1, there is no voice-over provided for this composition. These are playful studio studies where I test pigments and techniques (often with loose or minimal photo reference), so think of them as inspiration rather than step-by-step lessons. If you’d like fully narrated tutorials, you can explore my Tutorial Collections—Botanical, Birds, and more: https://www.patreon.com/c/AnnaBucciarelli/collectionsFun note: many elements from this piece—like the two chestnuts—also appear in my recent, fully narrated fall tutorial featuring three pumpkins: https://www.patreon.com/posts/fall-still-life-141745387

🎨 MY WATERCOLOR SUPPLIES 

PAPER:  Etchr cold-pressed watercolor sketchbook:

BRUSHES: round sable brushes in sizes #0-#4, and a flat 1/2" brush for lifting color

GLOVE: Protective Glove/Smudge guard: https://amzn.to/3GFcojf 

🎨 COLORS USED

For this piece, I tested a mix of pigments to explore different combos—but you don’t need the exact same paints. Please experiment with what you already have. The one color I do strongly recommend is a purple (PV 23) and a reddish-brown (PR 206). For brown, I used Quinacridone Burnt Scarlet (Daniel Smith). Great PR206 alternatives include Quinacridone Burnt Orange, Perylene Maroon and Brown Madder from any brand. Have fun and make it your own!

REDS:

Scarlet Lake from W&N (PR188): https://amzn.to/4j9jRK5

Quinacridone Burnt Scarlet from Daniel Smith (PR206)

Burnt Sienna (PR101) from W&N: https://amzn.to/3qRqjyz

YELLOWS:

Cadmium Yellow Medium Hue {PY 53, PY 151, PY 83} from Daniel Smith

Hansa Yellow Deep from Daniel Smith {PY65}: https://amzn.to/49fhK0U

Yellow Ochre from W&N {PY43}: https://amzn.to/43CQvMy

GREENS:

Green Apatite Genuine from Daniel Smith {PrimaTek}: https://amzn.to/3x1Mt4o

BLUES & PURPLES:

Indigo {PB 60, PBk 6} from Daniel Smith: https://amzn.to/409kObF

Tundra Violet from Schminke: https://amzn.to/3RxUNzP

Phthalo Blue Green Shade - QOR by Golden: https://amzn.to/3QO1sVd  

Dioxazine Purple (PV 23) from QOR by Golden: https://amzn.to/3Xf4uoF 

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Comments

Susie Lessard

Oh my goodness, what a treat this is!! Thank you, Anna!

Monalisa Mackey

Oh my goodness…I love this!!…the leaves, the little blue berries, the grass and the mushroom. I think I might like this even more than the full tutorial! 😃💕

Denise Young

Gorgeous! Is the voice over available on the higher tiers?

Anna Bucciarelli

Thank you! 💕 This is just one of my personal experiments (that I also now record and post by popular demand) other than the chant, its really pretty chaotic in terms of layers (I am just figuring things out as I go so I don’t do voiceover ) These later form the basis for more structured tutorials and instructional pieces - in this case I used the chant in the recent narrated tutorial with pumpkins 😊

Anna Bucciarelli

Thank you so much! I really loved that chestnut from the pumpkin so I kept going… also mixed up the granulating forest blue again for some “wet mud” pretty chaotic but lots of fun. Hope to see your interpretations - maybe with a brighter red mushroom (I am not entirely happy with how pink it turned out…) 💕 now onto some holiday compositions ;)

Anna Bucciarelli

Thank you so much Susie - I just had to revisit that lovely chestnut from the pumpkin tutorial and ended up improvising an entire backdrop 🥰

Monalisa Mackey

Definitely will try my hand at this one! 🙌🏻. I love the mushroom as is but I think it would look equally beautiful with more red on the inside 😃. I hope I can get those beautiful glossy swirls on the chestnuts. You know, they remind me of the little avocado seeds in the small avocados I sometimes buy in the supermarket. They have the same shiny swirly look to the surface.

Sammie Bryant

I didn't know chestnuts and mushrooms could look so pretty. Would you ever consider just writing the color you used as you use? A couple of my favorite compositions are your demos, this one is one of those. It feels a bit over my skill level but I think I will give it a try. Thanks for sharing, I appreciate it.

Penny

Hello Anna! Another magical composition! Thank you so very much for sharing us this wonderful demo. I would assume that tutorials would probably take days, even weeks to edit. Do you think perhaps you would be able to insert the names of colors you are using while you are painting? I am thinking that indicating us the color used on the specific area, dry time- on the side, no voice over needed, would help us study with you also. And again thank you so very much. You made my watercolor skills improve so much.

Anna Bucciarelli

Thank you so much, Sammie! 🌿 I’ve found that my most “loose,” intuitive sessions—when I don’t plan a thing—often lead to surprisingly successful compositions (and when they don’t, that’s perfectly okay, too). I’m happy I can share both modes of painting with you: the spontaneous and the carefully planned. Wishing you a lovely rest of the week!

Anna Bucciarelli

Hi Penny, Thank you so much for the kind words—and for the thoughtful suggestion. 💛 This is exactly what makes sharing my “for-pleasure” experimental recordings so tricky (and why I didn’t share them for the longest time): once I drop into that flow state, I honestly don’t always remember which exact color went where. When I rewatch, it can look quite chaotic—I’m usually testing several mixes, seeing what sings, and then I jot down what truly worked so I can build a more intentional tutorial later with a clear layering sequence and a tighter, easier palette. I promise I’m not trying to hide anything. I do take notes as I paint specifically for patrons, and I fold those into future, fully structured tutorials. It’s just that pausing to decode every dip into every palette well (and marking dry times) can take longer than producing a whole, polished lesson. That said, your idea is a good one. Here’s what I can realistically do going forward: - When feasible, add a few quick on-screen labels for key passages (e.g., “mix: Quin Gold + Phthalo Blue GS,” or “glaze #2—fully dry”). - I can continue to Include a short palette list in the description for experimental videos (primary pigments + usual neutrals), and always a step-by-step and exact pigments in the formal tutorials. - If anything is unclear, feel free to drop timestamps (“2:47—what green is that?”) and I’ll do my best to identify it. If these looser process videos ever feel more confusing than helpful, I’m happy to post fewer of them and focus on fully guided tutorials instead. I truly appreciate you caring enough to ask—your feedback helps me strike the right balance between honest studio practice and clear learning material. And I’m thrilled to hear your watercolor skills are growing—that’s everything to me. 🌿✨

Irene

Wonderful!!! Yes, i remember the chestnuts as i made the pumpkin tutorial. Painting along with your tutorials are the most peaceful and enjoyable part of the day for me. Thank you. I am so happy to have found you!!!

Monalisa Mackey

Hi Anna, just thought I would make a suggestion. If possible, it would help tremendously to always be able to see the entire palette as you pick up paint so we know which colours you are using and how much pigment you are taking up. A lot of the time half of the palette is off screen and when you pick up paint I can’t always see which colour you are using. I think that would be ideal. To go hand in hand with that a photo of your palettes with a note of the pigment/brand next to each colour so we can identify the colours before you start painting and will know which one are using as you pick up paint 🙂.

Penny

ahhh no! these videos are sanctuary for me! the music and how a project evolves free of thinking what's next is just so meditative. please continue to share! I am more than happy to wait for an actual video with voice overs.

Anna Bucciarelli

Thank you so much for your kind words, Irene! Your note absolutely made my day 🥰🥰🥰 If you have any questions - don't hesitate to reach out. The best way to get in touch is via DM feature here on Patreon - while comments often get lost in the shuffle of updates, Direct Messages go to my email and I respond every Friday. Happy painting!