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This is the ad-free version of my latest video, where I walk you through 12 of the most popular watercolor yellows and oranges — with clear swatches, real examples of how I use them in botanical, animal, and landscape art, plus plenty of mixing demonstrations. This guide is designed to help you choose the right pigments for your palette and understand their full mixing potential, from glowing greens to beautiful neutrals.

As a bonus, I’ve also prepared a downloadable handout with all the swatches and suggested mixes, so you can keep it nearby as a handy reference while you paint 👉 download the PDF file in this post: https://www.patreon.com/posts/essential-swatch-152494813

❤️ You can also explore the other in-depth reviews in this series - including Reds, Greens, and Blues - in my “Favorite Art Supplies” collection here: https://www.patreon.com/collection/99366

Peter Donahue Color Theory Lectures (mentioned in the video):

Peter's YouTube: https://www.youtube.com/@UCXGRyrSH8Ak31H7QGpPlm9w

Peter's IG: www.instagram.com/art.pete.repeat

💛🧡 FAVORITE WATERCOLOR YELLOWS & ORANGES FEATURED:

Lemon Yellow from W&N (PY175): https://amzn.to/4d8yixa

Nickel Azo Yellow from QoR (PY 150): https://amzn.to/4cT5I31

Cadmium Yellow Medium Hue {PY 53, PY 151, PY 83} from Daniel Smith

Benzimidazolone Yellow from QoR (PY154): https://amzn.to/4ljl5Uo

Yellow Ochre from W&N (PY43): https://amzn.to/43CQvMy

Indian Yellow from Daniel Smith: https://amzn.to/4svs4Mn

Quinacridone Gold (QoR version discontinued, but try one from Daniel Smith): https://amzn.to/4ugulfX

Hansa Yellow Deep from Daniel Smith {PY65}: https://amzn.to/49fhK0U

Isoindolinone Yellow from QoR (PY110): https://amzn.to/4jOaFKn

Permanent Orange from Daneil Smith (PO62)

Transparent Pyrrole Orange from QOR {PO71} https://amzn.to/3L0diJO 

Winsor Orange Red Shade (PO 73) : https://amzn.to/3NpvLnR

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Comments

Heather R Hare

Would you recommend Quin Gold over Quin Deep Gold, then? I’ve been dithering between these 2 Daniel Smith pigments for weeks and don’t know how to decide

David Beers

My favorites; thank you! (Btw, you're link above to the pdf just links back to this post instead of the one with the pdf).

Anna Bucciarelli

Ahhh thank you for flagging this - I got lost a little confused with all the cross-linking.... Much appreciated!

Anna Bucciarelli

Hi Heather. Quin Deep Gold is much closer to orange. I would say it depends entirely on how you plan to use it. If you need more of a "primary yellow" (good for mixing in a triad AND for glazing), then go for their original, if you want more rusty golden "orange" like color for glazing / landscapes/etc and you already have lots of good medium yellows, i would say go for the deep version. I hope that makes sense!

Heather R Hare

It does make sense. :) I have DS cad yellow and WN lemon yellow; and yellow ochre and raw sienna from Cotman. I’m looking to replace my Cotman Gamboge Hue, which is almost gone. I like that it’s a brilliant yellow, but at full strength it’s yellow-orange/gold. The DS New Gamboge didn’t seem to have that color variation when I swatched it out, and I have a soft spot for quinacridones 😉, which is why I was looking at Quin gold/deep gold. As for intended use… 🤷🏻‍♀️😂 I’m still at the beginning of my journey. I would call myself an intermediate painter, with 9 months of near-daily practice. I paint a lot of different subjects - I don’t think I’ve really found my niche yet. Or my style. Really still just experimenting and learning. Which is great, but does make it hard to put together a palette! I do know that I like using convenience colors, and I like mixing those convenience colors, more so than limiting myself to a strict split primary palette. Any further thoughts, based on this further information?

Heather R Hare

Oops I forgot to hit this speech bubble to reply directly, instead of the other one! So my reply is now mixed with the other comments to this post. I do have a couple of unrelated questions: 1. Where is this Facebook group I see mentioned from time to time, where we can share our work? How do we get access to that? 2. Those gloves you wear while painting: do you wash those? Mine have graphite on them and it’s getting my paper dirty, but I wasn’t sure if they would hold up to a machine wash

Kari

Anna, do you ever use Daniel Smith’s Aussie Red Gold? I’ve been playing with it for sunsets.

Tabitha Weber

Hi Anna. I am new here but have been watching you on youtube. All of my watercolors are by Maimeri Blu. It would be bonkers for me to try to switch to another brand. Anyways, I don't expect you to lay out the best colors for me for setting up my palettes but that is what I am working with. I did have a question though on setting up like mini palettes. I have 5 of the ceramic flower palettes and would like to set them up in a practical way. Do you have any advice on that?

Anna Bucciarelli

Hi Tabitha, and welcome! I’ve definitely heard of Maimeri Blu, and of course there is absolutely no need to switch brands. The best approach is simply to find the equivalent CI pigment codes in Maimeri Blu and match them up against the CI codes I use in my tutorials. I always try to provide lots of alternatives in the video descriptions as well, so you should be able to work with what you already have.At the end of the day, as you’ve probably heard me say many times, the colors themselves are secondary. What matters most for realistic painting is getting the right balance of values — your lights and darks. In most cases, you can absolutely substitute with close-enough alternatives and still get a beautiful result. The only exceptions are those few cases where a very specific pigment really behaves differently, and I always try to point that out in each tutorial. As for setting up mini palettes, it’s really a matter of personal preference, but I tend to keep mine organized by color groupings ) reds together, greens together, and so on ( and I also keep my super-granulating colors in a separate palette. I find that this makes it much easier to reach for what I need quickly and keep similar pigments together in a way that feels intuitive. you amy want to mark up CI codes with a sharpie if they start looking too similar! P.S. Please feel free to reach out anytime through the DM feature here on Patreon if you have questions. Comments often get lost in the shuffle of updates, but DMs go straight to my email and I always reply every Friday. Happy Painting!

Amanda Clayton

This video is literally gold Anna🌟💛 🙏