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Hi everyone,

Here is the Goose tutorial. For this painting I used three primary colours only and a black waterproof pen for the eye.

Mixing watercolour paint is not something I have done much of in the past other than my grey that I like to use. However since I've been on Patreon you have inspired me to try different things. I'm experminenting with painting people and I painted some trees etc and for those subjects I need to mix my paint. So I made this tutorial for those who don't have a lot of paint colours and I wanted to show you that if you do mix then you don't need a lot colours.

A couple of things I have discovered when I mix: I have found that I prefer to mix colours when they are wet and freshly squeezed out of the tube. You don't have to do that though. You can mix colours even if they have been on your palette for a while and they have dried. If they have dried, wet them first to soften them before you start mixing. If your paint is wet and freshly squeezed you don't need a lot of paint when you adjust your mixture - that's something I need to remind myself to do. I tend to pick up too much paint....(little bits Louise). I like to rinse my brush between colours so I don't dirty one colour with another but I dab my brush on a cloth to remove excess moisture before I go back into my mix with the brush. If I don't get rid of the excess moisture on my brush after rinsing I keep diluting the mixture.

Try mixing paint when it's freshly squeezed and try mixing it when it has dried on your palette and see if you have a preference. This is one of the good things about painting in watercolour- no paint is wasted.

The files you need are attached below. 

The reference photo of the goose is my own.

For those who have difficult enlarging the line drawing at home I have enlarged the line drawing and placed it on two files. They will print on two pieces of paper and then you can tape them together.

I'll put this tutorial on the tutorial indexes below.

Tutorial Index on my website: http://www.louisedemasi.com/new-index

Clickable index here on Patreon: https://www.patreon.com/posts/34865676

We used to have a goose and a gander when the kids were growing up. Jack and Jill were their names. Jack was very naughty. He was a bit aggressive and I remember I had to take an umbrella with me whenever I went to  hang the clothes on the line. If he came over to me I'd open and close the umbrella quickly to scare him away. They were really good guard dogs. They alerted me whenever somebody came over. I loved them but I don't miss them 🥴.

I hope you enjoy the tutorial.

Louise

💕

Files

Goose for Patreon

Louise De Masi©

Comments

Donna Leiber

Your later tutorials have info about photo references, such as it being okay to sell our work if photo was from a site like Unsplash or Pixabay. I can't find where you mention the source of this goose photo and what restrictions there are. Could you explain and/or direct me to where it's mentioned? Thank you.

Louise De Masi

Hi Donna, this is my reference photo. I've put my name on the photo that you can download. Thanks.

Chevalier Christine

je crois que pour l'instant c'est mon aquarelle préfère j'ai adore faire cette aquarelle

Caroline

This is a great tutorial, Louise. When you talk about "negative space" do you mean where there are white bits on the bird?

Louise De Masi

Hi Caroline, Thank you! Can you let me know the time on the video where I mention that so I can tell you exactly what I mean by negative space? I'll have a listen to remind myself. Thanks.

Caroline

Yes, it was near the beginning, minute 4. I am intrigued as to how you decide where to put the splash backgrounds.

Louise De Masi

The negative space I'm referring to is the background area in front of the goose- the white paper. Thanks Caroline.

Caroline

I finished this - was actually one of the most difficult ones I have done. The eye was complicated, and I somewhat lost track of which feather I was painting. Mine definitely didn't have that same precision on the beak which shows so well the angle of the head, so I may try and work on that, but I don't want to ruin it. Not that it's a masterpiece, but it's not too bad. The part I liked the best was my sploshy background!

Anne Watman

I’m still confused about wetting the paper. I’m watching closely, and I see you wetting right up to the edge of the drawing. When I do that, it often seems like it often bleeds a little past the edge, and I have noticed on other tutorials that you keep a small distance from the edge, but have enough paint on your brush to smoothly fill that little gap. Does it depend on the paper?

Louise De Masi

It can depend on the paper. If you are just applying colour to a shape you can leave a little dry edge (brush width). That should stop the paint from bleeding past the edge. If you are painting a petal or something like that and you want the colour to bleed onto the petal from the edge then you'd need to wet all the way to the edge. It depends on what effect you want and also the subject that you are painting. Other times, if you are wetting over a painted area you might want to take the water all the way to the edges to stop 'tidelines' from forming.

Chantal

Thank you Louise! If you could only see me do a happy dance! 🤭 I know this is just a tutorial and not something I planned on my own, but living a very busy life with a very analytical job doesn’t always leave space to be fully creative. So when I can learn from a tutorial, relax into it and come out pleased with my achievements it says a lot about the instructor!

Louise De Masi

This made me smile Chantal. That’s what I hope my tutorials can give you: a little space to relax, enjoy the process and feel proud of what you’ve created. Thank you so much for sharing this. 💖

Corina Dima

Every time I get a notification that there’s a post from you it makes my day! Thank you for all the joy and beauty that you bring! I can’t wait to paint the goose!!!! ❤️💛💙

Peggy Bowers

Can't wait to start! Some of my supplies arrived today👏

MD

Corina really said it best. Every time a new post is like a present!! Thank you!! Adore the goose!!

Margret Martin

I agree - love your posts. Very excited for this goose!! 💗

Jane Newman

That is so stunning ❤️.

Julie Schwindt

I get goose bumps(pun intended LOL) when there is a new post from you. I do a little happy dance! Thank-you for brightening my day! :-)

carmela Aquilia

Louise è bellissima, non vedo l'ora di provarla grazie!!!

Lydia Frazier Bosley

Really enjoyed that - what a masterful touch you have, Louise! I look forward to the challenge of trying the goose myself soon. Thanks for the perfect example to follow.

Tricia Frank

Can’t wait to try it! Can you share what palette you are mixing on?

Tiffany Townsend

Hi Louise, when you place the dimensions of your watercolor paper on the supplies list is that the actual size or is that the reduced size (the actual painting space).

Louise De Masi

Hi Tiffany. That's the actual size. I've stretched the paper so I lose about 1.5 cm around each side and there is sometimes a 1 cm white border as well where I put the washi tape inside the gummed tape. So my dimensions are the size of the paper before I stretch it. I hope that makes sense.

Lydia Shemain

That was lovely Louise, simple but ever so beautiful. Thank you for showing us how to mix colours. Hope your eye is getting back to normal.

Margaret B Smith

I hope and pray that your eyes continue to heal. I look forward to each and every tutorial, it brightens my day and gives me new horizons. Thank you for all you do for us.

Liz C

I love this goose painting! My next project. Thank you Louise.

Lesley Kuhn

I’m amazed how you develop the feathers out of nowhere! They look great in the finished picture! Did you practice this technique a lot! Do you do a practice piece before you do it in the actual painting? Thanks! I love your teaching style!

Louise De Masi

Thanks Lesley. I have painted hundreds of birds so it comes easily for me now. I'll do a practice painting if I'm not sure of something. This one I didn't practice first.

River

Thank you so much for all the hard work and love you put into these tutorials. I appreciate your stretching out. Why I started following you, and practicing with you is because you did NOT mix colors. An amazing artist, (whom I will not mention, but she is brilliant) would mix4-5 colors just to get a pink! All I ever got was mud. I was on the verge of giving up with painting when I came across your tutorials. Louisa, with you, I finally feel like I can at least produce something I will not run over in the driveway!! I absollutely love the look that comes from mixing on paper. You are brilliant, and thank you again. Yes, this is on the "want to do" list. I do need practice mixing for certian.

Louise De Masi

Thanks so much River. That's one reason why I avoid mixing. I think there's enough to think about without worrying about creating mud. I do see the value of mixing greens and blacks though because the pre mixed greens can be overwhelming (other than Sap Green- which I don't mind) and black out of the tube can be a bit flat so I often mix it with other colours on the paper.

River

Thank you for the reply. I will say again, I think you are amazing. I do agree with the greens and blacks. Green is my favorite color! The frogs are diffidently on my list. I appreciate all the work that goes into these tutorials, both from you and your son. Thank you again.

Annika

Very nice tutorial!!!! I love all the animals! I have a question; sometimes I have problems to mix the grey colour; and often it is very easy( for me) to make it a bit too dark! When I then try to make it lighter it is so difficult. Do you think it will be better to use some other paper than Arches?? I think you have spoken about Fabriano, so maybe that is a better choice? I always mix burnt sienna and french ultramarine but maybe will it be better to mix it more towards the blue..... It is a bit hard to explain what I mean but I hope you understand what I mean!! Thanks for advice!!❣️

Louise De Masi

Hi Annika, thank you! To make it lighter mix some more water into it. You can pull some of the mix away from the main puddle and add water to the part you've pulled away. It takes practice. I don't think your paper would make any difference to the colour you are mixing up. If you don't like mixing, Daniel Smith make a Jane's Gray that is very similar.

Annika

Thanks!!! I will try that; and again Thanks for very, very good and great tutorial!!! I love them!!!

Debra Sullivan

I love the goose! I went the way of many new aritists and fell victim to buying many, many beautiful colours, lol, so right now I'm trying to not buy more paint unless absolutely necessary. Are there any substitutions for Alizarin Crimson? For cool reds I have Carmine (D.S.), Permanent Rose (M. Graham), and Quinacridone Magenta (W.& N.) Would any of those do? Thanks, Louise!

Louise De Masi

Thanks Debra. Me too. I've got so many colours I rarely use. Try Carmine first and see if you like how it mixes with the other colours. If you don't like it try one of the others.

Debra Sullivan

I forgot.. I also have Perylene Maroon (M. Graham). I'll give the Carmine a try. Thank you.

Patricia Douglas

Thank you! Enjoyed painted this. My goose feathers are a bit blotchy...so this will be a painting I paint again.. Plus I think I would like to paint it larger than I did I think my paper was 8x9 inches. Quite small. But a beautiful bird!

Jacqueline Dyke

Tried this one today, but had difficulty watching video as we are away in our caravan. The result was ok but I'll try again when we get home.

crystalheart9

This was a fabulous tutorial for me on painting shadows. I tend to follow my reference photo too closely and try and match the shadow colors exactly and they never turn out beautiful like on this goose. I'm going to give this painting a try and be more creative with my shadows!

Donna Easler

I attempted this using the grey mix you used but it did not separate into the lovely mixture of colors as your application did...mine was just grey. In my second attempt, I just layered some light glazes of transparent orange, French Ultramarine and Jane Grey. I would have preferred using your mix...how do I get that lovely uneven separation of color that you got?

Louise De Masi

I normally mix it on a plate so it spreads out and when it does, it separates. When I pick it up it might be in an area where there is more blue or I might pick it up where the mixture is more brown. I don't do that deliberately. I reach over quickly and load my brush and whatever I get, I get. I'm also painting on wet paper a lot of the time which will cause it to seperate even more.

Donna Easler

Thank you Louise...that’s what I did wrong! I was trying to make sure it stayed mixed when I loaded my brush...I was “fussing” with it too much wasn’t I?! I will have to take another go at it again soon!!

Louise De Masi

Lol- that's probably it. I'm a fusser too so we will work on trying to stop fussing together 😝 💕.

Hanna

Just joined today! Hooray!! It’s hard to choose which tutorial to start with but I’m obsessed with “white” paintings and shadows. I just love the different hues that trained eyes can see. This goose is adorable so this will be my first here. Thx a lot!

Hanna

My first attempt was a disaster! Good thing that I always try it first on my sketchbook! I took notes of what I need to change (almost everything) for the next try. I also noticed that my line works were not detailed enough. Maybe because i painted it in A4 and it’s too small. When we need to paint the feathers like a negative painting, I really struggle! But I’ll try again in A3. Thx

Louise De Masi

Painting in watercolour is not easy Hanna but you have the right attitude to succeed. I often paint the same painting more than once. 💕

Alana

I have just joined today and like you have chosen the goose to try first. Fingers crossed!

Sandra Matheny

I had trouble painting the feathers in negative painting also, but you will get it. I have found that if I watch the tutorial many times it really helps until I get into the painting.

Naginder Manhas

I was able to paint this well but I am not a fan of mixing colours. My grey ended up being kind of dull looking. I like the grey you mix with french ultramarine and burnt sienna on most of your paintings. You are a one of a kind teacher as I have learned so much. I really appreciate all the work you do to teach this course.

Louise De Masi

Thanks very much Naginder. I wasn't a fan of mixing colours when I first started painting in watercolour either but now I see the value in it. I look back at my earlier paintings and the colours I used were way too bright and unnatural looking. I know now it's best to use mixed colours through the painting and use colours straight out of the tube sparingly, mainly in the areas where you want to focus attention. 💕