Home Creators Posts Import Register Favorites Logout

Content

An under-discussed downside of becoming an X-Man is the Dracula problem. Dracula loves to pester the X-Men. He’s not an X-Man; he's regular, not trademarked Dracula. There is an X-Men character named Wolfsbane who is just a straight-up werewolf, but vampires aren’t X-Men. They could have, and I think should have, made Dracula an X-Man; he’s dramatic, tortured, and has inconsistent power levels; he would fit right in!

Instead, they made Dracula a dude who really wants to bang Storm, which, aren’t we all? What a deeply unspecial introduction to Dracula for the X-Men world. The X-Men first meet Dracula in 1982 during Uncanny X-Men #159. Previously, Marvel quarantined Dracula to his own comic, Tomb Of Dracula, but he broke quarantine in the mid-70s, first for an encounter with Spider-Man before he decided the X-Men were who he really wanted to bother.

The X-Men first meet Dracula in New York, where they’ve brought Kitty Pryde to visit her parents. When Storm doesn’t arrive from dropping Kitty off, Wolverine is able to track her to a local hospital where she’s in bad shape after having her throat cut during a random mugging. Or was it? She’s suddenly lethargic, allergic to sunlight, and she’s mysteriously acquired a slick scarf with an elaborately embroidered letter D on it. All of these symptoms point to Dracula.

Kitty Pryde is immediately like, that bitch got Draculad, but who would believe her? Who would believe that the woman who creates storms with her mind was bitten by Dracula? Maybe the man who can teleport, the man whose eyes are a portal to the punch dimension, or the immortal little sharp guy? Any X-Man should believe in Dracula, and if they don’t, they’re an idiot. Of course it’s Dracula, of course Dracula is into Storm, and of course no one is being cool about it.

I just don’t think Storm is falling for anyone who wears a cape more fabulous than hers. More than one cape wearer in a relationship is just asking for trouble, and this man's cape goes all the way up past his ears.

Luckily, Kitty Pryde immediately ran off to get a cross and her Dracula hunting hat earlier, so she can attempt to wrangle Storm out of Dracula’s horny paws. The cross doesn’t work on Dracula because Kitty is Jewish, but he burns himself on her Star of David when he grabs her throat. The Dracula hat did nothing.

Dracula flees from Kitty Pryde’s necklace, but he takes Storm with him, so now this is fully an X-Men problem. This is where Professor X would normally get involved, but that man is always either in a coma or on space vacation, so Nightcrawler, Colossus, Wolverine, and Kitty Pryde are fighting Dracula on their own. Once again, Chris Claremont is having too much fun with this premise.

It’s a classic X-Men fight. Nightcrawler is able to burn Dracula with a cross because of his strong catholic faith. Dracula summons a bunch of wolves and rats to the fight. Colossus picks up Wolverine by the butt and hurls him at Dracula.

There’s no way this team could defeat Dracula, though. In order to do that, Storm has to use her love of Kitty to break free of Dracula’s mind control and whoop some Dracula ass. Dracula turns into a half-bat, and they have a radical mid-air flight during which Dracula tells her that she can never escape him because they’ve shared blood.

At the end, Dracula is so annoyed by Storm that he just kind of flies out of the window and leaves forever like he’s running out on a bad date. Storm threatens to hunt him down, and he’s just like, “Sure, good luck with that, I’m Dracula,” which is a fair point. Sometimes it’s easy to find a man in an insanely tall cape, but on Halloween it’s almost impossible, so Storm just decides not to investigate the situation any further. Being filled to the brim with Dracula blood is probably fine.

Guys, I can’t believe I’m saying this, but it actually wasn’t fine! A few months later Dracula came right back, and that stuff about them bound by blood for eternity comes into play in a major way. It turns out Dracula can still control Storm, and more troublingly, whenever she dies she’ll become a vampire bound to Dracula, which is a major problem because X-Men die all the time.

Is it just me or is it kind of sweet that Dracula was willing to let Storm live out a full life and join him at whatever age she died? I need an eighty-six-year-old vampire Storm and Dracula comic right now. It is possible that he let her go because he also knew that X-Men die all the time, but I like to believe the romantic version.

This time Dracula has a specific task for Storm. He wants her to heist a magic book with something called “the Montesi formula” in it that can kill all vampires for him. Apparently this was later used to kill all vampires in Dr. Strange, but they got better. The Montesi formula is being kept in a castle that is too holy and full of eldritch energy for Dracula. Storm is not Dracula enough to enter the castle, but she’s also Dracula enough that she has to do what Dracula says, so she’s the perfect woman for the job. Also, Kitty Pryde is acting weird and also trying to steal the formula.

It turns out Kitty Pryde was actually being controlled by Dracula’s daughter, who wants to kill him. So the first comic had one Dracula, and the second had two Draculas. Will the Draculas continue to increase exponentially in each comic until the X-Men are battling Dracula’s third cousins as well?

Probably not because Dracula is presumed dead in the end (he’s not; he gets better). Dracula’s daughter tells everyone that Dracula’s death means that Storm actually won’t become a vampire when she dies. Since he didn’t really die, I feel like this means Storm is still on track to rise from the dead, but who knows. I still have hope that the Storm and Dracula buddy comedy could happen. Maybe they team up to fight skeletons or God or something. I’d preorder Storm and Dracula kill God immediately.

After that, Dracula left the X-Men alone for a while and then came back in a slightly less horny way for the 2006 series Apocalypse vs Dracula. Ok, it was a little horny, but it was mainly dark and gritty, a thing all comics were going for at the time. I’m going to spoil it for you because I don’t want you to waste your time hoping; no, Dracula and Apocalypse do not kiss at all.

There’s barely any kissing in Apocalypse Vs. Dracula and far too much men getting their heads shlorped right off. If you don’t know what a man getting his head shlorped off in a comic book looks like, here you go; it’s pretty funny.

The plot of Apocalypse Vs. Dracula is that before Dracula died, he met Apocalypse in battle once, and Dracula has been salty about it for roughly two thousand years. That man loves a grudge almost as much as he loves a tall cape. Dracula decided to regulate his emotions by decimating Apocalypse’s doomsday cult babies to provoke him into a fight.

Across the four-issue series, we mostly don’t see Dracula and Apocalypse fight at all. We do see a lot of people get their head shlorped, though. One guy gets his head teleported right off of his body, which was pretty radical. A more accurate title for this comic would be “A Good Excuse For Gratuitous Violence.”

Apocalypse Vs. Dracula ends with Apocalypse getting so frustrated with his whole doomsday cult that he just kills all of them and decides he doesn’t want to do a cult anymore. He returns to hibernation, thinking all of his descendants are dead and the cult is over. That’s how annoying Dracula is to the X-Men; he annoyed one of their greatest villains into giving up his army for a long nap. Of course Apocalypse did squeeze in one more Dracula shlorp before nap time (he’s fine).

Then, of course, there was famously the time where Jubilee became a vampire for almost a full decade, but that wasn’t Dracula’s fault! His son did that. The whole Dracula family is completely obsessed with the X-Men. They have enough to deal with, Dracula! If you were considering becoming an X-Man, please keep in mind the many silent battles you will have to fight, with Dracula.

This article was brought to you by our fine sponsor and Hot Dog Supreme: Jaber Al-Eidan, who rocks an embroidered necklace, and specially designated Dracula-hunting hat at all times.

You can read this article and every other one on the much better in every way 1900HOTDOG.COM

Comments

Max Rockatansky

They could have done like Abbott and Costello, had a whole series like X-Men Meet The Wolfman or X-Men Meet The Mummy.

Jeff Orasky

Dracula went for Storm because he had already tried to get Spider-Woman and she beamed his undead ass.

Brian Seiler

Blade must be feeling so left out, what with the X-Men stealing his villain. Good practice for the MCU though.

Goat Face

I think my favourite Marvel use of Dracula is when he was trying to bring his vampire army back from the moon for a full invasion of Earth. That was a really stupid series with an excellent use of the "you haven't been invited inside".

Amber Marshall

Honestly, that is pretty romantic. We need that romance story: a vampire and a woman fall in love but she doesn't want to leave her mortal life, so he makes it so she'll just become a vampire when she dies naturally.

CHAUGGLE

I schlorped a whole funnel cake once.

Mike Metzler

Man, comics from the 80s were wild. I love the panel within a panel where they just drew a box around Dracula’s mouth and storm’s neck.

Didi Fffffff

The poorly aligned text in the ad makes my heart happy.

FancyShark

Dracula has that most powerful of protections: marketability.

Skebotron

Sometimes I forget how they used the basic, traditional look for Dracula for a long time. They did a total redesign at some point in the 00s and he's looked completely different ever since.

drake godzilla

They are always finding ways to get the super power human species/subspecies to fight each other. Yet they haven't decided to do one in which all of the super power human species/subspecies goes,"Hey, why are we fighting each other when we are basely the same thing and the normals can't tell us apart without a DNA scanner? How about we team up and fight the normals instead? They don't like any of us anyway, they just hate certain super power human species/subspecies more."

Aiden Abett

Damn, I was gonna make a "X-Men Dracula vs Castlevania Dracula in the next MvC" joke, but it turns out Castlevania is Konami, not Capcom 🪦

Swift Justice

I'm pretty sure they've done those. They met both Kirk AND Picard.

Swift Justice

And he's a boss fight in Smash Bros! So at least there's one degree of separation as Ryu and Mega Man can fight him. Also he's Pac-Man's classic mode boss, presumably because after fighting ghosts Dracula is the logical next step.

Talking Alpaca

And they used Vamp Jubilee in Marvel Rivals, too. And they make references to how she was Apocalypse's herald of famine. Yep, comic books are weird.

Matthew Harris

The reason that these spooky existentialist stories always end up sounding silly is because while Chris Claremont was writing his epic stories about tolerance and human nature, he was also writing standard comic book stories. What was Storm doing in the issue after she heroically refused the corruption of Dracula? Probably picking up The Rhino or some other C-List villain in a whirlwind.

Thad Boyd

I think Wolfman was over at DC writing New Teen Titans by then.

Thad Boyd

The other thing that's funny about the "The X-Men won't believe me that Dracula is real!" thing is that they'd already met Frakenstein ages ago*. And Professor X was just like "Mmmyes, I've long suspected that Frankenstein was real." * X-Men #40, true believers! - Throbbin' Thad

Brendan McGinley

In two weeks, Lugosi becomes public domain, so the time is right for a new installment.

Brendan McGinley

Pretty close to the film version of What We Do in the Shadows, no?

Dylan Gilbert

I love that Dracula has been bothering the X-men for years because he wants to bang Storm sooooo bad. I’m guessing he was not invited to her wedding with Black Panther

sissyneck

Yes storm looks just as annoyed as Susan sarandon when she didn't get her vampire wish either

Thad Boyd

Five months (copyright expiration goes by year, so works from 1931 go PD in the US on January 1), but yeah, it's coming. Frankenstein too, with the rest to follow over the next 15 years.

Ivan T.W.

I like the idea that any religious symbols works on Dracula. It means that one day we could see him getting burned by a Flying Spaghetti Monster bumper sticker.

Ace Hendrix

Something about this art is off. Were parts of this redrawn for a reprint? I also love the idea of a Dracula/Storm romance. Like a genuinely loving romance, with Dracula putting in the work to change for her and Storm occasionally being a bit on the evil side.

Ace Hendrix

Like I know the cover up there is Chris Sprouse, I meant the interiors.

Matthew Harris

I've actually had a long standing question about whether the Marvel Universe was basically our universe or not. Up until the 1980s, there were still panels where civilians would say "this looks like something from a George Lucas film!", despite there being like, 10 alien invasions in the past year?

Mister Sinistar

Honestly I feel for Kitty Pride (and all of the X-Men, really) because it must have been hard as hell to figure out what was real (because EVERYTHING was real). Like, Kitty grabbed that cross and then spotted the Dracula hat and said to herself, "No, it's NOT stupid that maybe I need the hat to repel Dracula! Last week we fought the evil clone of a magic cyborg guy who's a time-travel child of another clone and the third least-fuckable X-Man"

Thad Boyd

I think that was more down to individual creators than a particular universe. Kirby did that same bit in New Gods even though it's clearly set in the same universe as Superman. Course, it always seemed like he'd have much rather New Gods/Forever People/Mister Miracle been their own thing and not touched Superman at all, so there's that.

Thad Boyd

What I wanna know is, would Thor defeat Dracula just by showing up?

Eric Rose

I excitedly jumped to the comments section to say the same thing but you beat me to it. Didn’t Xavier try to recruit the monster? It’s been awhile since I read it.

Bob McLennan

I loved how they got tired of Vampire Jubilee but didn't want to put in the effort to undo her curse, so for a while the artists just had to drsw her under an umbrella whenever she was outside.

Thad Boyd

Skimming through it it doesn't look like he tries to recruit the monster, though he did that a lot with their mutant foes in the early issues (Blob, etc.).

Thad Boyd

I love that about '60s Marvel, characters just running into each other on the street for a couple of panels and shit. Similarly, when World's Fair Comics (later World's Finest) first started up and used to advertise itself as Superman and Batman, it actually meant there'd be a Superman story and a Batman story; they wouldn't actually meet. Until its page count got reduced and they couldn't fit a full story for each of them; then they started putting them in stories together.

Matthew Harris

Oh, I had another serious post about this: looking back on the early Claremont X-Men, parasitism is an early and common theme. There was a Aliens-type creature in one issue, vampires showed up commonly, and then of course The Brood. Which also is a bit unusual that Claremont created a race that was irredeemably parasitic and had to subsist off of others, and that he used language that was also used by anti-semites, all while making the connection that mutants were like Jews, or in the case of Kitty and Magneto, were also Jews. So it got pretty confusing, I think.

Dave Dalrymple

The Marvel universe was supposed to be reasonably reconcilable with our world but that slowly changed, especially after all the people who had been obsessed with Watchmen as a kid grew up to become comic writers and decided they wanted to do their own take on it.