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my fuckin skulled is being caved in by this gigantic snowstorm, so I wanted to say before the pain makes me forget that I've gotten enough responses to do another Q&A show, so leave a question in the comments for this post, and if you already did that for #1 and I didn't answer, asking it again here makes it much more likely that I'll remember it

pause: proceedeth howsoever thou may'st dare, Muck Rake

and you know what I forgot to say about Steph Curry vs. Caitlin Clark?

as some of you probably know, high school and college athletes who make loads of money for various pricks & criminals, like say the child-molestation factory that existed for decades under the guise of "Penn State University," have long been denied the ability to make any money via their sport, right up until the last few years,

till finally they managed to negotiate "NIL" rights (name, image, likeness – remember that, NIL) that allows these college athletes to get paid via whatever sponsorship is offered them, and though they still don't actually get paid for playing, NIL is a big step in getting the players a cut (nowhere near a fair cut, but a cut) of the insane revenue that flows into one of the sleaziest facets of American public life

(and speaking of getting a cut: the next time you see an NBA player get signed for $200 million, instead of getting mad at him, you should remember that his value is arbitrarily capped at a number vastly lower than the amount of money he's going to make for the team – if this were not so, professional sports would be a nonprofit enterprise; the fact that it's immensely profitable to own a pro sports team means, by definition, that no player ever gets paid what he or she is worth),

and I am unambiguously in favor of these kids getting paid however they can, most of them will never get anywhere near a professional league, much less have real careers as pros – last I knew, 1.7% of college basketball players logged a single minute in the NBA, ever in their entire lives, so the percentage of them who have actual bills-paying home-owning careers as NBA players must be infinitesimal, and even then, their entire livelihood (and often the safety & security of a LOT of other people, for players who come from rough places) depends on them not having a serious injury until they're already established and on a guaranteed contract. Even in the NBA, there are all sorts of contract exceptions and combined pro/semipro deals in which a guy's guaranteed salary will be $20k, and those guys tend to get cycled between teams and leagues so nobody ever has to pay them a livable guaranteed wage. And if a guy like that tears his Achilles or ACL, there's no surgery and rehabbing on the company dime, and no salary when he isn't playing, so a bad injury at the wrong moment can ruin a fucking life (Dru Smith, for example, has been in the NBA since 2022 but only had one guaranteed contract in that whole stretch, and just when his game seemed to be cohering with the Miami Heat, he ripped his Achilles the other day, after he tore his ACL last year and missed the whole previous season because of a horribly designed court in Cleveland, and though I do not want this to be true, Dru Smith – a 27-year-old who's already had the 2 worst injuries you can suffer as a basketball player – is probably finished in the NBA, and would be lucky to show up in a worse league overseas),

but, with all that said, and with my congratulations to anybody who's ever managed to squeeze an extra dollar out of the pigfucks who own sports franchises (or record labels, or film studios, or publishing houses),

... why does Caitlin Clark have an NIL licensing deal with Goldman Sachs

Comments

Horseloverfat

Just reiterating my question about the Oulipo! I know you e scoffed at them before on the basis that they’re totalizers seeking systematization (I think that was the gist of it), but I think if you read some of the cornerstone works of the movement like “Life: A User’s Manual”, the movement becomes harder to pigeonhole. Having read a lot of stuff from them, I see them more — and I’ll quote from the original question here — as a loose collection of souls who understand that imposed limitation can produce counterintuitively expansive work than as dogmatic imposers of “pure” literary systems.

agentmule

Thoughts on the DIY ethics and music of Fugazi

Sammy

What are your thoughts on Lacan? I haven't listened to every episode, but to me it seems you incorporate some of his ideas. Specifically, your series on Paganism and the Logic of metaphor led me to reading an introduction to him.

Matthew

What do you think about Sun Ra? The music as well as the person and cult

James Bradley

Do you like any of David Berman’s music or poetry or anything? Silver Jews maybe? Were you ever even interested in his whole thing, as it were?

DeadPrince

Hey Michael, would love to hear more of your thoughts on Kierkegaard - specifically the texts Fear and Trembling and Repetition (preference to the latter if you only have time for one). Also, some of my favorite moments from the pod are when you talk with/about your brother Paul. Would love to hear about his influence on you as a musician / scholar and vice versa. PSA: People should checkout Judge Movies if they haven’t already!

Oscar Marcus Boyle

Hey, would love to hear your thoughts on contemporary visual art

Wyatt

At the Drive In or The Mars Volta?

Wyatt

How do you feel about the massive influx of adults in the post-smart phone United States getting diagnosed with ADHD and put on speed as treatment to function?

Wyatt

Favorite cumtown bit?

A Gee Cook

Hi, id love to hear your thoughts on Hendrix. Also thoughts on Mircea Eliade’s stuff. And lastly, does Jayson Tatum have goat potential? ☘️

Michael McGroarty

MSJ, are you familiar with the poet Keston Sutherland? I only discovered him this AM so I can't offer shit but he has some very sound endorsements.

Zach

thoughts on Norman O. Brown?

Michael F

Please rank the Beatles. I don’t have much to back it up and I’ve never heard somebody share this opinion but George had an asshole vibe.

David Schilmoeller

Are the lights in the sky the mothership trying to abduct me to Tehran or is Greg dicking with me for reporting his sprinkler system to the HOA?

Oliver Cooke

asked on the first post, (1) thoughts on wyndham lewis? (2) any thoughts on leszek kolakowskis writing on marx?

Wojtek

Hey Michael, I heavily related to everything you said in the recent episode about Catholicism. You briefly mentioned Polish Catholicism as being fucked up, but in a qualitatively different way from the Irish kind, and I was wondering if you could expand on that (as someone unfortunate enough to have grown up Polish Catholic). I'm specifically interested in how you interpret the (quasi-Hitlerian) fusion of nationalist and religious symbolism - especially the explicit identification of the suffering/crucified Christ with the Polish nation/country. The Romantic nationalist literature angle is really interesting too, with the "Poland literally and figuratively sacrificed itself so the other Peoples could live free" trope being really popular in the 19th/20th century. Make no mistake, that shit is still really ingrained and common. At least 30-40% of the religious hymns I learned to sing in church as a kid contained the word "Poland" in their lyrics. Could be an interesting jumping off point to discuss the intersection of Catholicism and esoteric nationalism in general. Seems topical if nothing else

Lazer Leopard

What are your thoughts on the kinsella brothers? when I was a teenager, I thought they both shit gold. Mike played drums on my first record, which was a dream come true for a sad and drunk 23-year-old. I find lots of it hard to listen to now, though occasionally the mood strikes and the first owls record I still think is extraordinary. Also try the idiot in regards to Dostoyevsky.

ten

In doing research for a project about vinegar I came across an interesting fact that seems at home in the discussion of Synthesis and Control within Gravity’s Rainbow. In the middle of WWI, as natural sources of Acetone became scarce, a new process of fermentation was developed to create Acetone from fermented sugars and starches in food waste. During the war Acetone was used as a solvent in the production of Cordite, a form of smokeless gunpowder. The interesting part is that ABE (Acetone, Butanol, Ethanol) Fermentation, also known as The Weizmann Method, was developed by Zionist Movement Leader and First President of Israel, Chaim Weizmann. As for the Question part- Do you have any observations or thoughts on fermentation / distillation as a cultural practice and/or an industrial process? Thank you!

jim e.

Any thoughts on Mircea Cărtărescu? He seems to deal with a lot of themes that would interest you, curious if you ever came across any of his work

Bigpapa Georgio

I apologize that I don’t have the book with me so I’m doing this off the dome but after reading your book and Egypt is the river I remember a section where you talked about the acoustics of a tomb in a way that made me curious if you’ve ever heard of the sub field of archaeology called archaeoacoustics in which archaeologists study the material culture of sound. I was just curious if you’ve already known about it and added it to your book or if not that may be something you’d be interested in.

Madra na Móna

Re: The Anathemata, as someone who spent a lot of time w/ Jones, has always been something that sat odd w/ me that despite the recognition of survivals of other religious practices in the tridentine rite, Jones posits the anamnesis of Christ, fractio panis, etc. in the mass as sort of the totalising instance of the dying-rising God which is above history reaching both forward and backward into what he calls fore-time, saving all those "whose works follow them" (i.e. all anthropoids who by dint of being able to make, and thus make any kind of sacrament are made human). Have never been able to find a great argument in The Anathemata (which for the most part hangs together very neatly) why Christ sh/d be the supertemporal instance and armature of the sacred while all other gods like Osiris, Attis, Adonis, even Arthur are consigned to mere history. Was wondering what you think on this aspect of Jones' work. Also w/r/t the tumulus altar comparison, I'm fairly sure in one of the footnotes Jones digs out an old prescription from somewhere in canon law that every altar sh/d contain the physical relic of the dead.

Miles Rozatti

I’m interested in hearing more of what you have to say about glyphs, in particular about petroglyphs and sand painting as transmitters of culture, history and knowledge, as living beings, as dreams. P.S. I would really love to hear the music show you talked about doing, the episodes on albums or on guitars are some of my favorites.

Mortimer Clue

Paul: I've got a feeling John: Yes you have Paul: Keeps me on my toes John: On your what?

bipolar_kratom_princess69@yahoo.com

other comments had some specific questions on this topic, but general thoughts on the supernatural- real? doesn't matter if real? not real? is death the end? psychics, ouija board, ghosts, etc.

Mortimer Clue

Your favourite virtue Your favourite qualities in a man Your favourite qualities in a woman Your chief characteristic What you appreciate the most in your friends Your main fault Your favourite occupation Your idea of happiness Your idea of misery If not yourself, who would you be? Where would you like to live? Your favourite colour and flower Your favourite prose authors Your favourite poets Your favourite heroes in fiction Your favourite heroines in fiction Your favourite painters and composers

Louie Van Patten

Has anyone ever painted your portrait? Is that something you would ever allow?

Philip Wailes

Wish I had something more specific other than a “could you talk about X” style prompt, BUT — I’m very interested in your more extended thoughts about African and Afro-Diasporic spirituality, especially as it relates to: 1) the mythological/spiritual system surrounding the orishas, in any of its forms — Lucumi, Vodun, Yoruba continental spirituality, etc (most of which you’ve talked about on the show a little bit) also if you know of any good resources for learning about anything surrounding that spiritual tradition specifically; it’s obviously an aural tradition and highly (justifiably) gatekept so I wouldn’t at all be surprised if the answer there’s just a straight up No, just curious. 2) Herero spirituality in GR, the importance it itself plays into the whole thing, especially as it perhaps relates to all the euro-pagan stuff, the black/white theme in general, anything (if anything) else that comes to mind

Philip Wailes

Also: do you listen to much R&B/Soul music? If so, what are some of your favorite artists, groups, tracks & albums within that realm? Same question as it regards what could loosely be termed “electronic music” house, techno, etcetera, any interest in anything in that area?

Jamie Newman

Share your inimitable thoughts on some brilliant women any field.

stephen tucker

What news sources do you tend to pay attention to for day-to-day global happenings?

Josh Silva

Going back to the Paganism/Metaphor series, how did the various stories about and the anthropomorphizations of, say, the Greek Gods develop and to what degree did the Greeks back then understand these stories as purely metaphorical?

The Real Spiro Agnew

Hey Michael! Two questions: In part one of the QnA, during your discussion on the CIA/Iowa Writers Workshop connection, you mentioned in passing the Paris Review, which was also CIA connected if memory serves. Could you speak a little about the Paris Review? I’m dying to hear your thoughts on Donald Barthelme. I’ve seen a few people allege that he and Pynchon were close. Also any adjacent writers like Bill Gass or John Hawkes (I think I remember you saying somewhere that you hated The Tunnel but liked Omensetter’s Luck). Much love from New Mexico :)

Prawn Star Man

How do you feel about Romanticism, and its relationship to the modernist avant-garde? For example, do you think that there is continuity or discontinuity between the Blakean idea of the Poetic Genius which lies beyond all religious myth and the mythopoetic fragmentations of the Anathemata, Cantos and Finnegan’s Wake?

Roberto Andrés Lantadilla

Not a question but a DEBATE (uuuhhh daddy debate me). I think you're a little unfair with your treatment of V. Let me get this straight: V. works as a deceptively, fun novel with a foreboding drone of despair underneath the surface. But what I think it succeds the most is in its treatment of colonialism and the representation of the people at the margins. The infamous Cairo chapter for example, works on rwo levels as an espionage scandal blabla, but most importantly it gives you eight voices from the colonized. One of which is driving the train in which most of the scandal happens through the desert passing through tents of desperate people. The whole Vheissu thing riffs on the 1800s lost world literature and it's the most explanatory in showing the horrors of the colonial mind, leading straight to South-west Africa and the Herero chapter. I mean, Jesus. How many people must have been introduced to the herero genocide by V.? IN CONCLUSION, I think that V. is instrumental as a countercultural novel, as it can pass as a 50s beat decadent thing, while exposing you to the horrors of global capital.

Philip Wailes

In my second and most recent read through of GR I decided to take Pynchon’s advice and “check out Ishmael Reed,” specifically Mumbo Jumbo and Yellow Back Radio Broke Down (I have The Freelance Pallbearers but I haven’t read it yet) I was wondering: have you read Mumbo Jumbo, and if so, what are your thoughts on the last section of the book, where Papa LaBas presents his sort of “true history” of civilization? (going back to ancient Egypt, the feud between Osiris and Set, moses as a culture vulture, monotheism as atonism, etcetera) I feel it’s safe to assume this is what Pynchon was referring to when he says “keep in mind where those Masonic secrets actually come from” in reference to Livingstone meeting the Masonic chief in “darkest Africa” or however it was described. As someone who takes interest in ancient Egyptian myth, does Reed’s framing here resonate with you? Do you think “checking out Ishmael Reed” adds any new perspective or reframes anything particularly of interest in GR? In general, of course very interested in any additional thoughts on work by Reed if you have any.

David

I would love to hear your thought on David Lynch's syndicated comic strip The Angriest Dog in the World that ran in the L.A. Reader from 1983 till 1992.

Stubb’s Pipe

Can you explain Pound/Kenner’s VORTEX theory. If I’m not wrong, it factors in your thinking.

Headbuttbuffet

How do you deal with all these little intelligence community connections without going fucking bananas? Like the fact that the same officer who arrested Thomas Arthur Vallee was one of the officers involved in murdering Fred Hampton? Or some guy finding rifle casings in the ambassador hotel pantry, never to be seen again after giving them to Vincent Bugliosi, head prosecutor of the Manson case? Isn’t a big board with red strings the least crazy thing someone can do lol

ersatzennui w/ george quartz

Remembering what questions I wanted to ask is similar to going record shopping without a list. My mind draws a complete blank. However, I am curious if you’ve read The Exegesis of Thomas Pynchon on Substack. The author, Andrew, would make a terrific guest and he has mentioned you in high regard. I’ve enjoyed completing my first read of GR with that + your episodes as companion material. Both have been very helpful in my understanding of dat book. Oh! Any fun predictions for 2025? Tanx dawg.

N

Would love to hear your thoughts on Jason Molina / Songs Ohia , erasure of ongoing Covid / long Covid, and the book A Brief History of Seven Killings by Marlon James

MirrorOooMirror

Not really a question more a request…wait is a request a question? Oh no, thats not my question! Or I mean request? Anyway—Is it possible to add to your “collections” tab? Im lazy and that would help me locate your older stuff faster, especially when Im in the mood for learning more about a specific topic but don’t feel like scrolling through all your eps for an hour. Like I said, I’m lazy. Thanks

A.J.

Maybe not exactly a question but I would love to hear you go in more detail on your thoughts on At the Drive-In and The Mars Volta, as you have with some other artists and bands. They’ve been two of my favorite bands since I was a kid, so I’m always interested in hearing what makes them special to others. I’m especially curious as to your thoughts on Cedric’s lyrics, which seem impossible to parse for so many.

Matt

Have you had a chance to read the new book of Djuna Barnes' short stories? Also is there any appetite for doing an episode (or series) specifically on Nightwood?

Heath Iverson

We need a Lynch Memoriam from one of the few people qualified to do it.

Joey Fazzoli

Thoughts on one eyed jack’s in twin peaks being some kind of eyes wide shut-esque clue from Lynch? Something about a brothel in the middle of nowhere that a successful and well known business owner is using as a sex trafficking operation feels so on the nose to me on rewatch post epstein. Ronette pulaski/roman polanski?

Cojan Rico

What do you think about high output pickups? What kind do you play?

sansheriff

If I’m not too late - thoughts on Walter Benjamin?

Paul Clark

Michael, I badly need an episode about Trumps actions regarding USAID. As you’ve talked about, this is a section of gov money rife with coup / manipulation intel fronts.