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The best fight scene I will ever see in an auditorium theater 👏🎬

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Tp2222

I think the returning to my roots part was about having a positive outlook about people again. Whereas before he kept being let down by the criminals he tried to defend (I think?) and the justice system, despite trying to have faith in them

Mal

i like judgemans design since their eyes are sewn shut to represent justice is blind

Mal

also to answer your question at the end, i dont know what makes more but mangas are similar to books, they could either become popular enough to be picked up and adapted or not, however some of the most popular and famous mangas like Goodnight Punpun and Vagabond dont have anime adaptations and will probably never get one because it would be practically impossible to do the manga justice

Trowa

Also the best fight i've seen in an auditorium. The second best I was involved in. Also hey this is ...such a bloated response but to answer your questions... Yes they needed the 100 points to make a rule. Higuruma used 100 of his points to make the rule they wanted and then gave Yuji a point so neither of them would have to worry about points for at least 19 days. As for his thing about hating Yuji, I think it was because he was so angry about just the system he found himself in that he started throwing everyone down the same pipeline of no one has a noble soul and be it victim or criminal, he can't do anything about the weak. Either to help them or punish them and this just drove him a little mad as he put everything and everyone in a box. Seeing Yuji admit to a crime he didn't commit made him realize what he originally was fighting for and being confronted with his own lapse into weakness made him feel ugly and guilty and for now, just seeing the constant reminder of his lapse just makes him hate himself. As for the industry question - As for what makes more money that probably varies. For Manga artists they are notoriously underpaid and most of them suffer from a myriad of health conditions overworking themselves. Some Manga artists fly solo when they are creating their manga, others will have a team varying from one to multiple people. Sometimes one person in the team is actually an apprentice and can take over the manga or branch out. These are typically solo projects that aren't meant to be for anime. As far as I know, the publisher of the manga might reach out to an anime studio about adapting a popular work (which is why you see a lot of the same stuff from popular magazines like Shonen Jump always getting adaptations. ) but multiple studios might also bid on a popular title to be given the chance to adapt it. The anime is used to sell the manga in a lot of cases as they will then go hand in hand in keeping the product popular. Physical merch sales are also very important and how well all that does becomes the umbrella for the series. At that point everything is driving the manga sales and as long as that continues, then the manga continues. I imagine this is why longer titles are always some of the first to get pushed for anime adaptations. Though whats funny is a some years ago this also backfired immensely in giving a lot of shounen titles like Naruto and Bleach some very bloated runs because they used to have to wait for more chapters to be published and often had to create filler arcs and episodes to give time for new chapters. I don't see this much anymore because they've gotten better with knowing what to adapt and how.

Trowa

Thats probably not why they would not receive an adaptation. Vagabond specifically the creator themselves does not want this to happen. Goodnight PunPun is critically acclaimed and we have dark tales of children (one that came out very recently) so thats not to say it can't happen especially in todays climate. But the market has to be ready for that and right now most studios are probably waiting and looking for the next big title to make merch of. So it's not really about how impossible a series is going to feel to adapt, animation can do anything with the right director, but it's a money industry thats oversaturated with potential.

Mal

Goodnight punpun is a dark story but thats just part of the reason why, the art is the most powerful part of the manga and there isnt really any studios beside maybe mappa that could properly adapt the detail, and Vagabond isnt animated because the creator is very protective of his work, and its painted so transferring it into animation without losing the high quality would be extremely difficult and expensive so any studio capable of doing it isnt interested. So its just a matter of quality loss and the creators not wanting their work being adapted poorly

zeldoor

he made the rule yuji wanted him to which costed 100 points

Iben

Higuruma only had 101 points which means he could only add 1 rule, so higuruma added his own rule that made it so you could transfer points to another player. After higuruma added that rule he gave his remaining points to itadori

Ami Onee-san 🏳️‍⚧️

On another note if you wanna learn how the manga anime industry works a great watch would be Bakuman.

Arian Abdolahy

No, Higuruma had 103 points. He used 100 for adding a new rule, one point to give to Yuji and as he said the two remaining points were from the judge and prosecutor he killed.

Cody

Gojo the GOAT? No Yuta the GOAT? No Higaruma? 🐐

Jet Man

Some animation teams are actually 1 person called Golden Boy.

Iben

oh mb i must have misread then

SKAOG

HIMguruma and Yuji are the Goats of ths anime!

chakalicious

First time commenter, somewhat tangential to the last question about making anime vs manga and stuff. Idk how many people have mentioned it if at all, Anime YouTuber Gigguk made his own short film "Baan" with a full blown Japanese studio and made a documentary of his entire process, how the story was made, how it was animated and very importantly how the music was made (by Kevin Penkin). The documentary is very interesting and worth a watch probably on your own