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My current story, Blight, started in my sketchbook during my sabbatical. Here are the very first drawings:

The question with Destroy History stories now is whether it's a Shelley story or an Esther story. Both have different approaches, different assistants, and unique personal styles which open up storytelling possibilities. Here you can see various abandoned early possibilities. In particular, a good punning title rejected because I was not making it about horses!

Shelley resists the bleak 1970s grainy TV play setting while Esther would absolutely lean into it. But pretending a story exists in its entirety and exploring it, effectively through play, helps me find what I like about it, shapes that might work. As you can see, I went full Nosferatu, and I am sorry to say that you will not be getting Nosferatu roaming the Yorkshire Dales.

This is the first page featuring Peter the vet, whose shape, a sort of rugged Redford, felt era-appropriate to me. I was looking for a soft solidity. Again, that prompted an Esther story rather than a Shelley, because I could play him visually against her monochrome angularity.

(Note: I think DEFRA only came in with New Labour circa 2000, I remember it being MAFF when I was at university. This is raw scribbly brain work here with zero research.)

When Blight is winding up in November I'll do a big sketchbook post, as I worked on it this way for ages. Esther's pyjamas, endless covers, farmers for days. What goes in early on tends to pay off in what comes out later - I can't put too high a price on enthusiasm.

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Comments

Sean Kinlin

It's just as well we don't get Nosferatu; he'd be torn between the cows and some toffees.

Myles Corcoran

There's a hint of Magus Tom in the nosferatu's black robes and bare knees. I approve.

scarygoround

It's good you remember the deep cuts because I don't

Sean Kinlin

I have the Nosferatu shirt, so I can never forget that he won't share.

William Cole

The punny title is a good one, though I always defer to your judgement on such matters.

Rimbo (he-him)

Cindy Bojangles. No one would question it.

Pete Ashton

A horse vet called Pat Smith is [chef's kiss]

Samuel Henley

This makes me wonder if there's an All Creatures crossover somewhere in time, great ones AND small ones. Christopher Timothy, version, duh. Shelly having tea with Mrs. Hall whilst Esther fills in for a hungover Tristan delivering piglets in the mud with James. Siegfried on holiday, of course.

Ross Webster

I'm not at all surprised that Esther is better suited for the 1970s at the beginnings of Goth Culture.

IRIDYSCENZIA

You’ve got this! ❤️💪

Nathan Myers

Time travel is an opportunity for cameos of characters from your entire corpus, and even the same character from different story lines, setting-inappropriately, of course, even with no dialog. The skulduggery theme makes an obvious opening for Gibbous Moon. And of course Des.